Scribble Awards ed Julie Thorndyke and chosen by Gwen bitti

Ed. by Julie Thorndyke

The Scribble Awards

It is my pleasure to announce the SCRIBBLE AWARDS for issue 40. The Distinctive Scribble Awards recognise
two outstanding poems from each issue of Eucalypt,selected and appraised by winners of the awards in the previous issue.

Vanessa Proctor and Joshua St. Claire

 

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Very exciting to get a mention in Sribble Awards. Thank you Gwen Bitti for the mention and lovely words about by  haiku.

Another tanka that held my attention was Colleen Keating’s:

outside the window
as we launch his final book
pelican’s circle . . .
no one questions
his presence with us

I found the strength of this tanka lies in the quiet meeting of the natural and human worlds. Without explanation or sentimentality, the circling pelicans, a beautifully crafted pivot line become a symbol of presence and remembrance, with no explanation it allows the reader to feel the depth of the moment.

Australian Haiku Society, Sydney Cherry Blossum Festival 2026

   

 

It was one of those days when the sky was deep blue, such an unfathomable deep blue  it drew me in to feel as if I could zoom through it forever. Busloads of people  and hundreds of cars, continually arrived as the visitors and tourist built up . 

The spring blossoms in the Japanese Gardens were only just peeping out. It reminded me of the waiting haiku I read later.

We cannot push nature . She comes in her own time

not in a hurry
to blossom –
plum tree at my gate     

   

 

 

I felt very happy to be part of our group which in a way represents the  Australian Haiku Society.

Thank you to the wonderful haikist Vanessa Proctor for organising  this event where 7 of us spent an hour on the stage sharing our chosen haikus and saying a few words about the craft of writing haiku.

   

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Spring blossoms peeping out reflected in the pond, red camellias. pink azaleas, white  iris  red cherry blossoms ,reflection pool, Japanese rock garden with racked white pebbles, waterfalls One could sit and contemplate around this Zen garden, 

Dusky Moorhens ( a native water bird) , the sacred Ibis, magpies who joined us at our picnic, crows and the stunning Peacock  roaming around through the gardens,

         

We spent time over in the Australian forest area and we praacticed the Shinrin–yoku Forest Bathing walk.     

 

My few words and choice of haiku for out hour on the stage at the Cherry Blossum Festival.

Good morning all , My name is Colleen and I am a Sydney based poet.When I discovered the writing of haiku it was like that Toyota reaction  “ O what a feeling” , a satisfied  deep breath and the deep sigh from it  I see the beauty in nature  and I love being in that present moment . I have been writing Haiku  for about 10 years and I belong to a Haiku writing group called White Pebble where we meet once at the beginning of each season and we walk in the garden and ponder write and then after sit and share our words and ideas. 

     

Remember if you want to write haiku you only need a pen/pencil or a phone to record  and look out your window  and notice the light slanting colour,  clouds rain  and  jot it down . 

my first few haiku  to share with you 

profound silence 
as the baton is raised 
cherry blossoms fall         Helen Hobbs nz

cherry blossoms 
softens stone and 
hearts                        Colleen Keating 

Mention of our  Haiku trip to Japan for the Cherry Blossom festival 

Tsuruyama park  in Okayama with 4000 sakura trees   Just a very special time. Lots of families and friends celebrating together.  Weddings etc Beer gardens food trucks, illuminated in evenings. 

Thousands of Japanese people spread out blankets  and picnic under the cherry blossoms .

Their trees are very precious as I observed one very ancient tree propped up and the haiku I wrote there

cherry tree
propped up in old age 
blossoming                    Colleen keating

blossoms falling 
on graveyard stones
spring rain                       Michael Thorley  a close friend from Tamworth 

tread lightly 
on stepping stones
mysterious moss          Colleen Keating

Some of my favourites from the masters 

not in a hurry
to blossom –
plum tree at my gate        Issa           

Kobayashi Issa (1763–1828) is  one of japans’s great haiku masters, famous for writing over 20,000 poems about tiny creatures like snails, frogs, and fleas. His work is full of warmth, humor, and deep sadness from a hard life

with each falling petal
they grow older –
plum branches                              Yosa Buson 18th century

white plum blossoms 
return to the withered tree 
moonlit night                                 Yosa Buson  Master 

Yosa Buson was a Japanese poet and painter of the Edo period. He lived from 1716 – 1784. Along with Matsuo Bashō and Kobayashi Issa, Buson is considered among the greatest poets of the Edo Period

A few more from haiku writers.

spring morning
the kitten pounces
on a hawk’s shadow          Andy Hede

lorikeet chatter
in the bottlebrush
backyard gossip                     Jahan Tyson

winter yard
a magpie carols
on an empty clothesline            Robyn Cairns

sleepy tourists
the beauty of blossoms 
too much                               Michael Thorley

Long-listed in the Whitsunday Writers Festival Literry Heart Awards Poetry Competition 2026

Whitsunday Writers Festival Poetry Competition 2026

Warm greetings from the Whitsundays Writers Festival.

Congratulations! We’re delighted to let you know that your poem has been longlisted for the 2026 Whitsundays Literary Heart Awards Poetry Prize.
This year we received more than 70 entries from across Australia, representing an exceptional range of voices, styles, and perspectives.
Following the first round of judging, your work has been selected as one of the poems progressing to the next stage.
The judging process will now continue, with the shortlist announced on Monday 10 August, before the winner and runner-up
are revealed at the 2026 Whitsundays Writers Festival on Sunday 13 September.

Your achievement reflects the strength of your writing, and we hope you’ll take a moment to celebrate reaching this stage of the competition.

The Longlist

The Poetry Prize offers a first prize of $1,000 and $500 for the runner up for up to 50-lines of unpublished poems.

We are delighted to announce the longlisted submissions for the 2026 Poetry Prize:

Breaking News, Anne Casey (NSW)
Caught You Red-Handed, Himara Jayasundara (SA)
Don’t Let The Old Lady In, Jan Smith (Qld)
Echo, Diane Robinson (NSW)
EDT80s, Scott Jackson (NSW)
For One Who Has No Stone To Say, Greg Lewis (Qld)
Night Flight, Anne Casey (NSW)
Old Salty, Colleen Keating (NSW)
Pino Grigio Beside the Water, Suzy Gordon (Qld)
Possession, Jo Skinner (Qld)
Red-eyed Rain, David Atkinson (NSW)
She’s a Beauty, Melinda Jane (SA)
Special, Scott Jackson (NSW)
Spider Woman, Josephine Seago (Qld)
Spitfire, Richard Pellatt (Qld)
Stories in Every Strand, Paul Fuller (Qld)
Subsea, Andrea Louise Thomas (Vic)
Super Bra, Hemi Croft (WA)
Swimming Pool at Hotel Borobodur, Jakarta, Chris Palazzolo (WA)
The Bay, Pip Griffin (NSW)
The Bush Blanket (A light hearted look at the history of the blanket), Ken Cleine (Qld)
The Furthest Tent, Scott Jackson (NSW)
The Pendulum of Green and Frost, Julie Butler (NSW)
The Yellow Wall, John Glanville (Qld)
Thin, Scott Jackson (NSW)
Tran Sends Ants, Kim Pham (NSW)
Unravelled by the Shallows, David Atkinson (NSW)
Verdigrisleeves, Paris Rosemont (NSW)

A rigorous, fair process

All entries were judged anonymously, with judges assessing each poem without any knowledge of the poet’s identity. Poems were scored individually against a consistent set of criteria — purpose and coherence, technical craft, originality of voice, and emotional or intellectual impact. This judging process ensures that vastly different styles of poetry could each be judged fairly on their own terms, rather than compared directly against one another.

Wonderful to have my name with some great poets Pip Griffin and Di  Roberson. ( winner of the Liquid Amber Poetry Prize for an emerging poet.) Good luck to all of us  for the next selection.

 

Jamberoo Abbey. Hope Blooms: A poem by Colleen Keating

JAMBEROO ABBEY

We shared this beautiful poem by Colleen Keating last year but it bears repeating. I love that phrase, “gardeners of hope”…a wonderful image to take with us into the day and the new year ahead. Christmastide blessings of hope and miracles to all!

 

Gardeners of hope

perhaps when we are caught
in the world’s tumult

when we see the edge
falling away from under us

perhaps in time of overwhelm
in this wrecked and shimmering world

when we seem to be in between times
with hope a misty horizon

we can wall our hearts
put on armour of fear
turn away complacently

yet it is “the tiny not the immense”
Francis Webb reminds us
will teach our seeking eyes

Christmas beckons us
to be the gardeners of hope
tending the earth nurturing the soil
with love art beauty poetry

it calls us
to be the ones waiting
for the miracle to come

Colleen Keating

Highly Commended in the Eastwood/Hills FAW Award for Poetry 2026:

STOP PRESS update  My poem is Highly Commended in the National Philippa Holland Poetry Competition 2026

(Excited to have my friend and poet  Pip Griffin in second place. That affirms both of us that we are writing well and being acknowledged.)

 

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Yay, my poem Old Salty has done it.

I hoped it would get honoured in something , somewhere and the Philippa Holland Poetry Competition has picked it up .

Short listed and now we wait to see its position.  Thank you to my Poetry workshop groups Rozelle and Pennant Hills for their considered readings and edits over the past years.

The photo that I had of Old Salty was taken a few years back but I knew one day words would come to find some meaning in the moment I fell in love with it.

 

Such an honour to be listed with it in Category 2: Philippa Holland Award for Poetry. Max 80 lines per poem.Read more

 

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Dear Colleen Keating,

I am pleased to announce that your entry Old Salty has been shortlisted in the poetry category of our literary competition.
The Presentation is scheduled to be held via Zoom on Saturday the 1st of August, 2026 at 2.30pm.  Short-listed entrants will need to have their entry/entries handy to read out should they be awarded First or Second Place.
The Zoom link will be emailed the day before the event.  Please let us know at your earliest convenience via return email if you are able or unable to attend.

 
Thank you for entering our competition.

 

Regards,

Carolyn Alfonzetti

Competition Secretary

Eastwood/Hills Fellowship of Australian Writers

 

 

Women’s Ink, Winter/July 2026 .The magazine of the Society of Women Writers NSWInc.

       

Excited to be published in Women’s Ink, the journal of The Society of Women Writers , Winter/July 2026.
Giving WomenWriters a Voice. with my poem Red Shoes.

How wonderful this poem has found a place to be published. 

Thank you to the brilliant  and dedicated editor of Women’s Ink, Jan Conway ,for a packed and interesting journal of women’s writing.

Red Shoes

When they were lost she really didn’t notice.
A loss as inconspicuous as the turning tide.
There were other shoes, boots and loafers
heeled-blacks for dressy and sandals. 

Some days thoughts of their loss 
return and her gloom mirrors the sky –
dull slanting sun on its axis, a winter light.
So easily mislaid, forgotten, in boxes

backs of wardrobes, lost between seasons
and fashions, in throw-outs, downsizing.
Sometimes searching she feels like a lyre bird
scrabbling in tangled undergrowth of forest. 

She had not thought, 
what am I without them 
until one day when reality closes in
an elemental grief fixes her. 

She rummages trembling, staring down
memories of younger days. Now a battle 
with night. Bird song dulls, carried on wind
to her worn ears. 

Walking on, she glance down 
at her sensible shoes. Loss a deep vermillion.
The red ones, their freedom, their sparkle, 
their crickle remain a resonant memory.

 

Booranga fourW thirty five and my poem ‘Recovering Equilibrium’

fourW – the annual anthology of new writing

Thank-you to David Gilbey Editor – fourW thirty-five for accepting my poem Recovering Equilibrium for publication  in the up and coming 2026 journal  (fourW is one of Australia’s longest running annual anthologies of new poetry and prose from Australian and international writers at Charles Stuart University ) 

 It will be exciting to meet David and the many other poets at the  official Sydney launch at Gleebooks on the Sunday 6th September. Last year we stood and read our poem and it was very special experience seeing everyone. 

Recovering Equilibrium  

A headwind from nowhere whips her off course 

as if in a sailing boat at sea.

She’s letting go the hullabaloo of diary dates 

white sails tack to ease around a buoy.

She won’t battle the storm. Rather turns her bow 

from the squall of steely clouds, away from their blades

of lightning. Her focus now is on the feathered blue sky 

to the port side of her days.

A cockatoo daily sweeps past her window. 

She imagines the call of herring gulls 

above the beeps and squeaks of machines and trolleys

their hurl and heave on the wind

a scene of turbulent freedom.

Near port, the swell of waves neap. 

A slowing rhythm.  Stillness. She ebbs and flows

 like the tide finding its pulse.

 

Colleen Keating

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Dear Colleen,

Thank you for your submission to fourW thirty-five and for your email withdrawing some of your submissions.

All work has now been read by the selection panels and the final decisions have been made.  The task was not an easy one, as we received over 300 individual pieces from more than 100 contributors from all around Australia and overseas.

We would like to publish your poem ‘Recovering Equilibrium’ if it has not already been published and there was no AI used in the writing of it (please advise us whether this is so). 

Over the next couple of weeks I’ll send you a proof copy to check as well as information about the launch(es) of fourW thirty-five.

I’m attaching a media release of the shortlists for the three Booranga Prizes for 2026, each worth $500: Poetry, Prose, Local Writing.

 With best wishes,

David Gilbey

Editor – fourW thirty-five

In the service of peace with Stephanie Dowrick

Our Service of Peace

On the steps of the old Pitt Street Uniting Church 
 lingering autumn leaves remain 
under the hanging banner across the portal 

                       We cry out for Gaza 
                 Peace and Justice in Palestine

Welcome and cozy inside with a restive unified quiet. 
A brightly burning candle sits on a centred table 
amidst many more awaiting  to be lit.
and three burnished gold banksia flowers
apt for a winter scene 

Our leader Stephanie warm  
in a soft melon pink cloak 
led with words of ancient wisdom 

 

The Taoist peace of prayer :

If there is to be peace in the world,
There must be peace in the nations.

If there is to be peace in the nations,
There must be peace in the cities.

If there is to be peace in the cities,
There must be peace between neighbours.

If there is to be peace between neighbours,
There must be peace in the home.

If there is to be peace in the home,
There must be peace in the heart.    – Lao-tsu. .

Next even more ancient is the wisdom of the Upanishhade  
((the philosophical core of ancient Indian Vedas)  with the Shanti  mantra ending in the OM

Lead us from the unreal to the real,
Lead us from darkness to light,
Lead us from death to immortality.
Om, Peace, Peace, Peace!

Mantras

From the Baha’i Teaching 
“Look on all creation with a friendly eye.A beautiful sentiment often reflecting a shift  toward compassion, peace, and mindfulness.

From George Fox founder of the Quakers “Walk cheerfully over the world”  
( recognise the spark of the Divine in everyone.)

And finally St Francis :
‘Make me a channel of your peace  . . . 

Music 

On original instruments carried us into a peaceful other world 

Hildegard chant by an amazing soprano and Kim  Curio playing the psaltery (a harp-like zither),
and other chants and song  backed by a one stringed drone lute  possibility called an erhu 
 and tiny bells .
During the meditation   tiny bells
sounded all around the room giving a mystical feel . 

Meditation for inner Peace.

Stephanie began . .   A wise teacher has said,
“ Look through the eye of the Beloved and you will see the Beloved everywhere.’
let me see myself in  the eyes of the beloved .
Lighting the candles we shared the tapers.

Playing of light in our heart of peace.

               

 

Final reflection. 
Our call to go forward : Remember why we are here. , our purpose and perspective
The parable of the Three Stone Cutters. 

A weary traveler happens upon three men chipping away at massive blocks of stone in the hot sun
and asks each of them, “What are you doing?”

The First Stonecutter: Grunting and wiping sweat from his brow, he answers,
“I am making a living.”He is focused entirely on the paycheck, viewing his work simply as a mandatory exchange of time for money. [1]

The Second Stonecutter: He hammers away methodically and replies,
“I am doing the best job of stonecutting in the entire country.”
He takes immense pride in his craftsmanship and his own skill, though his focus is highly individualistic. 

The Third Stonecutter: Looking up at the traveler with a gleam of inspiration, he smiles and says,
“I am building a cathedral.” He may never see the finished structure in his lifetime,
but he is deeply engaged and satisfied because he knows his daily, repetitive task contributes to a grander mission. [

Our take out: we are all three stone-cutters. Which one do you want to be?

(AI  take away The moral of the story is that meaning transforms the grind. While you need a living and strong craftsmanship to get the job done, anchoring your daily tasks to a larger ‘cathedral’ or purpose provides the energy, focus, and long-term fulfilment needed to excel)

 

 

 

Catchment Issue 6 Poetry of Place and my poem Threnody

 

 CATCHMENT  Issue 6

 FOREWORDEDITION 6: CATCHMENT POETRY OF PLACE

In compiling this sixth issue, our team at Catchment – Poetry of Place remains grateful to the Baw Baw Arts Alliance for continuing to give this digital poetry journal a home in its website. Our ongoing quest is to provide opportunities to poets across Australia, whether new voices or longer-term contributors, in exploring various developing senses of place in their creative work. Our feeling of pride extends to ways this project has already grown over the last half-year.

Baw Baw Art Alliance

Colleen Keating

Threnody

a tanka sequence

lament
from shocked silence
a song breaks out
voices trail away
into shallow breathing

holding each other
they bow over the flowers
a bee drones
sounds of heavy hearts
thrum in unison

seagulls stand
by an azure sea
Bondi Beach
the horizon mists up
a blur of sea and sky

at my window
a candle braves its light
into the dark
can flickering flames lighten
the long night ?

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mulga dreaming

the solidarity of the ground
we rest on tonight
sky shot with silver
streamed with shooting stars
Is but the threshold for a mind to open

it is mulga country the Tanami
red dirt spinifex
and black silhouetted branches
haunt the horizon
here the world is given to itself

listen
how deep is the silence
deep as the darkest black hole of the sky

rest
count the stars
let the horizon centre our world

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Colleen Keating is an international award-winning Sydney poet and writes on Kur-ring-gai country.
Her poetry is published in journals and she has eight books of poetry.
She was the runner-up in the 2025 Ros Spencer WA Poetry Award.

Echidna Tracks Issue 17 Winter/Spring ed Gavin Austin & Marilyn Humbert

I am very pleased to have my haiku accepted for publication in the latest Haiku Journal,  Echidna Tracks  #17 Open Theme
Thank you to the editors,

Gavin Austin & Marilyn Humbert, for their dedication to poetry, haiku-writing  and poets. 
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after they leave
his tiny handprint remains        
on my coffee table
Colleen Keating
Australia
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