
our morning prophet
the butcher bird sings
the day in

late winter
the daily search for whispers
of new life

our morning prophet
the butcher bird sings
the day in

late winter
the daily search for whispers
of new life

tread gently
you walk
on sacred ground
The first picture that greets visitors to the National Gallery is not an Old Master, nor an Impressionist. Nor does it even hang on a wall. Set into the floor of the first landing in the Gallery’s Portico entrance is ‘The Awakening of the Muses’, a marble mosaic laid in 1933 by the Russian-born artist Boris Anrep (1885-1969).
Between 1928 and 1933, the National Gallery commissioned Anrep to lay two mosaic pavements in the vestibule of the Main Hall to illustrate ‘The Labours of Life’ and ‘The Pleasures of Life’. In 1952, Anrep laid a third pavement, ‘The Modern Virtues’. The resulting mosaics are a celebration of everyday life, which lies underfoot in a busy public place.
Anrep was an associate of the Bloomsbury Group of artists and writers, who notoriously championed modern art and modern attitudes. His Muses are not heavenly immortals, but portraits of people from his own world. Many of the characters are played by Anrep’s Bloomsbury friends. I love that. And the photos dont do justice to the beauty of all these fine old tiles that people walk on and many not even noticing .






I am honoured and excited to win the Philippa Holland Poetry Award for 2024 for my poem Two Canticles It was announced in the Fellowship of Australian Writers Eastwood/Hills Poetry Competition, Saturday afternoon 3rd August 2024 on a Zoom meeting to avail us all shortlisted candidates to come together from all over Australia. Thank you to the judges and hard working organisers Carolyn Eldridge-Alfonzetti and Frances moon
I had two poems Shortlisted for the selection, Two Canticles and Ungraspable.
It was also exciting to have my second poem Highly Commended.
Results
Winner of the Philippa Holland Poetry Award 2024 for the poem Two Canticles. Colleen Keating
Highly commended in the Philippa Holland Poetry Award 2024 for the poem Ungraspable Colleen Keating
Annual Literary Competition Results 2024
Eastwood/ Hills FAW has completed judging for our Annual Literary Competition. We are very pleased to congratulate the following 2024 Category Winners and place-getters.
I feel my winning poem is appropriate for today August 2024 as it is a cry for peace , still a cry over the hundreds of years from St Francis in the 12th century to Francis Webb who lived in the late 20th century dying in Sydney in 1973 and now I wrtie in 2024 and it is acknowledged with an award.
Last night my award became a reality when i heard from my poetry group Pennant Hills Poet receiving congratulations even before I could find a list of the winners. Thank you to David and the group for their constant support and positive edits of our work each week.
Dear Colleen Keating,
I am pleased to announce that your entries ‘Two Canticles’ and ‘ungraspable’ have been shortlisted in the Poetry category of our literary competition.The Presentation is scheduled to be held via Zoom on Saturday the 3rd of August, 2024 at 2.30pm. Shortlisted entrants will need to have their entry/entries handy to read out should they be awarded First or Second Place.The Zoom link will be emailed the day before the event. Please let us know via return email if you are able or unable to attend.Thank you for entering our competition.Regards,Carolyn AlfonzettiCompetition SecretaryEastwood/Hills FAW
13 Alexandra Crt, Woori Yallock, 3139. website : www.poeticachristi.org.au
email:poetica@iprimus.com.au
Dear Colleen, July 2024
I’m delighted to let you know that your poem
Fifth Symphony
was awarded Highly Commended by our judge Tru Dowling for our 2024 Annual Poetry Competition – A New Day Dawns.
As well, your poem Polynesia, le ciel was one of the top 25 poems selected by her to go into the anthology.
The list of poems selected by the judge, together with her report, will appear on our website in early August.
Our book committee has also been through all the poems submitted and we have chosen your poem From my balcony to be included in the collection.
Well done on having all three of your poems chosen for the book!
When we begin publishing the anthology we’ll keep you informed of its progress. The launch of A New Day Dawns is set for Sunday, September 22nd at 2 pm at the Box Hill Community Arts Centre in Melbourne.
Once again, congratulations and best wishes.
Janette Fernando
Managing Editor
Poetica Christi Press
Poetica Christi Press Poetry Competition 2024
Judge’s Report
I so enjoyed the taxing but rewarding task of choosing from this year’s 196 entries. Poems varied in length, topic, and depth; all were true to the enlightened theme. There were many worthy, beautifully-made poems. Free verse outnumbered the few formal poems (villanelles, sonnets, haiku and prose poems, an acrostic poem, and a delightful concrete hybrid in Sudoku form!). Honest tributes to family, faith & nature dominated, as did literal dawn descriptors. It’s a challenge to write about ‘The Dawn of a New Day’ – such a universal, known and written theme. Some poems told (rather than showed the reader through sensory details and fresh images), slipping into cliches that undermined the unique lines. Poetry invites and opens us to possibilities, revealing the world and ourselves in new ways. The better poems explored these possibilities with nuanced expression.
Poetry distils language and ideas. Its clarity and brevity captures, surprises and explores. (Webster defines the verb explore: ‘to travel in or through’). The finalist poems travel rhythmic trails through scrub and sky, on bikes and waves, in the past and other lands, where ‘bells fill our heads’ and ‘stars glint like enamel’, where a ‘cat sits with dreams’ and we are ‘lost in…raven’s hue’, as ‘the future hides behind the moon’ and ‘we wake to everything’, ‘with probing beak(s)’. These are some of the stunning lines that held me with their woven originality and sealed my 25 choices.
The winning poem, Ellen Shelley’s ‘Wild With Scrub’, wowed with its surprising turns of phrase and direction. Shelley tracks the narrator’s challenges through concrete and abstract images, metaphor and paradox, ‘turning hours like a sleeve up and over’ – beautifully exacting the effort of being a mum – to ‘I have done enough (walking/ escaping) to turn around’ towards the poem’s end. ‘A new day dawns’ at each effort, as momentum marries flow throughout. It’s a tight, meandering and carefully-crafted poem that demonstrates its meaning through expert wordplay. It causes me to wonder and feel, and speaks to other, universal journeys of culture and gender.
Second place was hard won, since three poems particularly took my attention: again, Ellen Shelley excels as runner-up with ‘A Cool September Eve’ –her surprising prose poem. I have taught short story for 16 years so am quite skeptical towards this hybrid form, but Shelley’s mastery of well-placed words that enlighten realization within the setting won me over. The structure supports content via word choice, and sensory action and reaction. The subject’s running pastime in past time, ‘around an oval’, along with the ‘bike …being held by a/ stranger… (I) felt strange/ unease’ hints at a skewed experience. Again, the poet takes us far, from home safety to threat, and through the redeeming sustenance of habit. It’s a highly original poem that evokes theme all the way through.
It’s been my pleasure to engage and immerse myself in these poems of laughter, intensity, care, and fruitfulness. What a humbling, inspiring exercise. Congratulations to all poets involved – long may your art and craft continue to grow and affect. Thank you for the experience.
Tru Dowling 2024
13 Alexandra Crt, Woori Yallock, 3139. website : www.poeticachristi.org.au
email:poetica@iprimus.com.au
Dear Colleen, July 2024
I’m delighted to let you know that your poem
Fifth Symphony
was awarded Highly Commended by our judge Tru Dowling for our 2024 Annual Poetry Competition – A New Day Dawns.
As well, your poem Polynesia, le cielwas one of the top 25 poems selected by her to go into the anthology.
The list of poems selected by the judge, together with her report, will appear on our website in early August.
Our book committee has also been through all the poems submitted and we have chosen your poem From my balcony to be included in the collection.
Well done on having all three of your poems chosen for the book!
When we begin publishing the anthology we’ll keep you informed of its progress. The launch of A New Day Dawnsis set for Sunday, September 22nd at 2 pm at the Box Hill Community Arts Centre in Melbourne.
Once again, congratulations and best wishes.
Janette Fernando
Managing Editor
Poetica Christi Press

I am very excited to receive the latest Women’s Ink , Winter Issue 2024, in the mail and find 3 of my poems on the themes of art and artists make a double page spread..
Escaping with Cézanne and sunflowers both published in my anthology Fire on Water , H.Commended in the SWW Book Awards 2017
and Le Ciel to be included in my up and coming collection, Ring with the Bells to be published in 2025
Thank you to the editor Josephine Shevchenko, and to the President Maria McDougall for their work for writers . .



left behind
in sand beside the creek
yesterday’s footprints
Jan Dobb
desire path
to the river bend
cicada song
Lyn Reeves
by the river
corellas scramble for space
solitary ironbark
Colleen Keating
a palace
of crimson rosellas
sunlit conifer
Robyn Cairns
setting sun a black cockatoo’s tail feathers
Marilyn Humbert
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Bruges
Michael and I chose Bruges to spend a few days while we were overseas. We read that Burges is one of the most walkable friendly cities in the world and I have always longed to see it. It is announced as one of the most well-preserved medieval city in Europe and it is seen as a welcoming destination for travellers from all over the world.

Getting there

Elizabeth helped us get the travel details organised. She booked us seats on the Eurostar. We had to travel by train to St Pancreaes International Railway station and we caught the 7am Channel-tunnel train. It was very exciting. We were only just on time, as we needed to go through security as it was like flying and leaving the country.
The journey was great fun out of England 30 or so minutes by train under water and into France and Belgium . At Brussels we changed trains to a local train for and hour to Bruge and then Michael and I walked to our accommodation which we had planed.
We were in a fairy tale city. We found our booked apartment which was grander than we had expected and quickly enjoyed walking. . .and of course getting lost . We were lost a lot but I guess that is how one explores.

And when Elizabeth joined us two days later the fun really began with waffles and Belgium chocolate and beer and lots of walking , a ride on the canals and discovering lots of little corners of amazing stories like the Lovers bridge , the Beguines quiet world and many colourful experiences.




Elizabeth went off by herself to climb the The Belfry of Bruges. It soars high above the city’s medieval skyline to 83 metres. It’s now a veritable icon of the town – just look up and you’ll be able to see it from virtually all corners of the old centre. What’s more, its location on the main Market Square means it’s easy to get to on foot. Dating back to the 13th century, the mighty tower hides a winding spiral staircase of 366 steps. At its top, sweeping vistas of the town and the countryside beyond unfold. But there are other secrets within, like the old municipal treasury rooms and music rooms. Others will recognise the belfry from the 2008 hit flick In Bruges. A few steps further on you will see the impressive music drum that operates the carillon and the keyboard used by the city carilloneur to play the tower’s 47 carillon bells.
An amazing surprise to experience a new Michaelango sculpture. The Madonna of Bruges is a marble sculpture by Michelangelo of the Virgin and Child. Michelangelo’s depiction of the Madonna and Child differs significantly from earlier representations of the same subject, which tended to feature a pious Virgin smiling down on an infant held in her arms. In this scuplture the son is stepping away and the madonna is just still touching his arm allowing him to step forth.

It was special for Elizabeth and I to sit and ponder the mother and child.
Michael and I have experienced other Michaelangos and found them highlights and this experience was no exception.
We experienced La Pièta, in the Vatican,
We have seen Moses in the St Peters in Chains just out of Rome,
We have loved David in Florence
and now the Madonna and Child here in the Museun of the Chapel of Our Lady Bruges.
The ‘Beguinage Ten Wijngaarde’ with its white-coloured house fronts and tranquil convent garden was founded in 1245. This little piece of world heritage was once the home of the beguines, emancipated lay-women who nevertheless led a pious and celibate life. For centuries, the Bruges beguinage has been inhabited continuously. Today, some nuns from the Order of Saint Benedict and Order of Vincent de Paul live there, as well as single women from Bruges.

Michael and Elizabeth out the frount of our Hotel in Bloomsbury
A new and perfect day in London. Our drem was to walk carefree around London with Elizabeth and that is exactly what came to pass. Our dream together on Facetime from Australia was a reality. We walked across the Thames and along the bank. I noticed Liz spying for a spot to get down on the bank and give me the opportunity to experience mudlarking in reality. She coaxed us down onto the not so muddy bank tide way out and we walked along with our head down gazing at the rocky bank . It became quite mesmerising . I found a nail from a very old ship and a bone from when the butchers used the river as their drain . History is amazing you could write chapters on the few things I picked up. There was also a group down there picking up rubbish and it was the experience Liz wanted us to have. We recovered . . . back up on the bank and walked on to Tate Modern. Michael and I had been here once but it was closed and so our first experience walking into this grand old electical or water plant and seeing how it has been modified. It took awhile to orient ourselves and then Liz gave me the opportunity to experience the special exhibitions as she is a member and has a Tate card.
Expressionists: Kandinsky, Munter and the Blue Rider the ones who led the road to Modern Art
Now You see Us Women Artists in Britain 1520 -1920 Women who forged a path silently for generations to come
Yoko Ono : Music of the Mind
Elizabeth was excited to show us The Snail by Henri Matisse. What fun , What an amzing picture.

Elizabeth with The Snail (Why is Matisse’s snail so famous? “The Snail” is furthermore considered a particularly profound Modernist statement because the spiral pattern on a snail shell, what Matisse referred to as the “unrolling,” references The Golden Ratio, a compositional strategy frequently used in early abstract art that is considered an expression of universal harmony in)
Why a snail? Dali used them as images of impotence, while medieval painters included them in paintings of the Virgin Mary, due to the belief that their shells meant that their modesty was protected and they reproduced without sex.


From the members room and from the shop we enjoyed a wonderful view of St. Pauls Cathedral. Here is a good photo shoing the Thames and St Paul’s with Elizabeth and Michael in the Tate.

It is a commonplace, but we cannot help repeating it, that St Paul’s dominates London. V. Woolf.
Admittedly Virginia wrote that is an essay about London harkening back to a time when London, and St Paul’s, was surrounded by ‘sheep grazing on the greensward; and inns where great poets stretched their legs and talked at their ease.’
Today, we like flaneurs wandered along the London streets back home to our accomodation and Elizabeth led us along a busy vibrant Oxford Street. And we came across The Poetry Pharmacy which I have followed on line for sometime and I wexcited to visit the actual new shop.

https://www.instagram.com/poetry_pharmacy_/#
What a wonderful oasis in a bustling street in a fast moving city in a overwhelmed world .
It was so lovely to drop in and see all the books and jars, and the little café! Such a creative use of the space and love the whole concept✨
We sat sipping tea with nibbles, enjoying the wonder selection of books and poetry reminders around us , noting all the poetic medicines to assist us in our needs in this days.
Welcome to the world’s first walk-in Poetry Pharmacy!
https://www.instagram.com/p/C9PJ__RtbPj/
I love the reminder about the medicine:
Handmade – No Bitter Pills
No adverse reactions
Easy to swallow (Metaphoriaclly)
Pill capsules are filled with Poetic Solace
(Not suitable for children)
My choice to bring home to Australia was a bottle of Poemcetamol



As one does in England, popping up to London for a few days can mean a thousand things – from walking cobbled stones in the steps of the greats of our past to walking past some of the beautiful architecture of our time. It can mean museums and galleries, musicals, historic statues, cornish pastry and having a beer in a corner pub. For Michael and I this time in our 80th year we are slower and not in such a hurry to see and do everything. Hence it means savoring the train trip, finding our gorgeous boutique hotel in the heart of Bloomsbury in the same block as the British Museum surrounded by antiquated book shops, unique pubs, historical buildings once occupied by the likes of Virginia Woolf and TS. Eliot to name two. We enjoyed a leisurely lunch at Ruskins Cafe watching the people, taking in the vibe. London has its Thames-city smell, it congested streets with red buses, black cabs streamin along routes , its crowds of tourists wandering and Aussies like us still bemused by the pomp and ceremony and mesmerised by a history and culture our ancestors left behind long ago .

The British Museum situated in the same block as our accommodation was our afternoon outing.
It is said travel expands ones mind but standing before the Rosetta Stone , before the Greek sculpture of Venus, before the scripted alphabets of the islam world you go deeper amd deeper into the story of humanity.

It has become a ritual on our London visits to walk through the National Gallery and stop before the Sunflowers by Vincent Van Gogh, as one does before a sacred altar , and stop give thanks and remember my Mum, our Nannie who always dreamt to make it ‘overseas’ as we used to call it but didnt and wanted that horizon crossed by every child and grandchild. I also like to sit in the very old brown leather lounge in the Turner room and take in the miracle of light .

Above is my photo of Sunflowers and Joseph Mallord William Turner a scene from Homer’s Odyssey 1829
This trip a special new room called The Last Caravaggio was a new highlight. The painting titled The Martyrdom of Saint Ursula 1610.
This martyrdom takes place in a dark crowded space, Ursula is a lone female figure surrounded ny soldiers, Caravaggio tells the story of her death through a sophistcated interplay of hands: the guilty hands that have just fired the arrow, the outstretched hand of the bystander unable to stop it and Ursula’s hands framing the fatal wound in her chest. Caravaggio includes his own self portrait looking on over the saint shoulder, startingly pale and open moutghed , he makes himself a witness to and perhaps complicent in ursula’s death .
Since the Middle Ages and Hildegard of Bingen, Ursula has been seen as a figurehead for female empowerment.

In the National Portrait Gallery I especially loved spending time with the portraits in the room of The Romantics – Keats, Wordsworth, Coleridge, Shelley, Blake, Loed Byron. We also enjoyed an exhibition called Portraits to Dream In
(Photographers Francesca Woodman and Julia Margaret Cameron are two of the most influential women in the history of photography. They lived a century apart – Cameron working in the UK and Sri Lanka from the 1860s, and Woodman in America and Italy from the 1970s. Both women explored portraiture beyond its ability to record appearance – using their own creativity and imagination to suggest notions of beauty, symbolism, transformation and storytelling.) I loved the first photo below called The Salutation 1864

We had a perfect choral service and organ recital in St Martins in the Fields to end a perfect day.
The next day we walked down to the Thames and across Westminster Bridge to stand once again where Wordsworth’s poem was inspired.
Composed Upon Westminster Bridge, September 3, 1802 William Wordsworth Earth has not any thing to show more fair: Dull would he be of soul who could pass by A sight so touching in its majesty: This City now doth, like a garment, wear The beauty of the morning; silent, bare, Ships, towers, domes, theatres, and temples lie Open unto the fields, and to the sky; All bright and glittering in the smokeless air. Never did sun more beautifully steep In his first splendour, valley, rock, or hill; Ne'er saw I, never felt, a calm so deep! The river glideth at his own sweet will: Dear God! the very houses seem asleep; And all that mighty heart is lying still!
At the end of the brdge is the fabulous statue in memory of Boadicea

Boadicea 30 – 61CE
When they heard how her rallying cries
unified the dispirited tribes
to rise to defend Britons’ Isle
from Roman lust and manic power . . .
when they knew the druids spurred her on
upon their knees in sacred groves
under giant oaks in spilt blood
their gods divining her rightful rebellion . . .
when they saw her, straight of stature
tawny red hair flying
her brown mantel fastened by a golden brooch
riding a chariot to victory . . .
they honoured her – their warrior,
‘Briton queen’
bleeding from the Roman rods
vengeance in her eyes, spear in hand
full of rage, full of grief.
* * *
Yet Boadaceia, through history
you were ridiculed
called a shameless harridan
mocked in theatre
by those who could not fathom
a woman, a pagan as their saviour.
It took another woman – Queen Victoria
a thousand years on, to honour you.
We proclaim your warrior status
with your place setting.
Its curvilinear forms speak
to your valour, female strength.
from my latest book The Dinner Party

Michael with Boadicea and the English tourists
Tate Britain
Wonderful experience as here is where we met Elizabeth who had jumped on a train to join us for a few day in London .
We had a delicious lunch in the garden at Tate Briton and then enjoyed walking around this art gallery. which we had never even known existed.
Turner was amazing , brathtaking, over whelming. The Splash was interesting and then the original of all my favourite Pre-raphaelites painting

it was so much fun to enjoy the Gallery and see the paintings with Elizabeth and to just enjoy her company.


On our walk back to Bloomsberry along Oxford Stree we found the newly opened Poetry Pharmacy.


The latest Tanka Journal, arrived earlier this month and includes two of my new tanka amidst the many wondeeful tanka and tankist writers. It is an honour to be published with so many dedicated and good poets.
Thank you to our editor Julie Thorndyke for her dedication to our tanka and for their sensitive presentation .


And sensitively placed with the poignat tanka of Rachel Colombo

*The Madonna della Pietà, informally known as La Pietà, is a marble sculpture of Jesus and Mary at Mount Golgotha representing the “Sixth Sorrow” of the Blessed Virgin Mary by Michelangelo Buonarroti, now in Saint Peter’s Basilica, Vatican City.



And i love it is set with two of my dear friends Beverley George and Andrew Hede.
