Ginninderra Press Celebration, Adelaide 2026

     

It was an exciting visit to  Adelaide  for a Ginninderra Press Celebration. There was much to celebrate: –
30 year milestone of Ginninderra. Press,
launch of the Anthology  Telling Australia’s Truth, (Stephen Matthews final book before his untimely death.)
launch of Golden Days for Brenda Matthews (Eldridge)
and importantly to celebrate the life of Stephen Matthews AOM  who would’ve been 80 years old this weekend. 

Thank you and congratulations to Debbie Lee (Ginninderra Press) for her wonderful energy and enthusiasm
and all she did to help make the weekend the great success it was.
Thank you to Brenda Matthews for her presence and congratulations for the launch of her new book
written with Stephen AOM in his last year.
I felt very honoured to partner with Therese Corfiatis  to launch Telling Australia’s Truth, An Anthology in response  by 128 poets to the 2024 Referendum.
It was special to have Liz Newton  (President of The Society of Women Writers NSW.) over from Sydney.

       

The venue for our celebration was  most fitting . Spectacular. The Yitpi  Yartapuultiku Aboriginal Cultural Centre
( a new and exciting centre on the banks of the Port River in the heart of Port Adelaide )
I love  the welcome motto “Let us recognise the past, act in the present and build a better future.”

 Set in beautiful grounds  with natural playgrounds  and shady picnic spaces.

Adelaide was a buzz with festival energy. Autumn a true delight
bursting with colour and tranquillity.

                    

We strolled through the leafy mall and nearby streets  and into the Botanical Gardens and  sat under the golden hues of trees for a leisurely lunch.

    

The Art gallery is a bustle of wonderment . The Rodin sculpture i include in the photos

               

We loved the colour and sounds and smells of the multicultural food festival all the way along the mall.

              

Back story Ginninderra is an Aboriginal word meaning ‘throwing out little rays of light’, which is exactly what GP does, by giving voices to so many writers since its inception in 1996 in Canberra, reflected in its philosophy:

We believe that all people – not just a privileged few – have a right to participate actively in cultural creation rather than just being passive consumers of mass media.  Stephen Matthews

 Stephen Matthews, having graduated from Cambridge with a ‘fascination for books’, Stephen shared his journey into publishing, a path deterred by his career guidance counsellor who suggested teaching instead.  So after taking his advice, and from there into bookselling and eventually into editing, Stephen pursued his desire to ‘give manuscripts a place in our culture’.  He explained how getting published has literally changed peoples’ lives (I can vouch for that) and how print on demand has helped to secure the future of books, and indeed his workload.

A few past books discussed

Rays of Light: Ginninderra Press – the first 20 years compiled by Joan Fenney.

First Refuge launched by the former SA Premier and now ordained minister Lynn Arnold had this privilege and did so eloquently.  These poems from 88 GP authors explore social justice reaching into uncomfortable spaces – war, domestic violence, refugees, isolation – leaving nothing unearthed, resulting in a somewhat emotional journey when reading it from cover to cover.  To quote Ann, this is ‘a small book with big teeth, where language has power’.

Brenda Eldridge’s Golden Days navigates a gentle way through the journey of her husband Stephen Matthews’ fight with cancer and his choice to take the path of Voluntary Assisted Dying. In Brenda’s poem, ‘Silver Light’,she writes: I tease him about becoming a butterfly I want so much for him to be free.Brenda’s glorious and confronting poems explore a couple’s descent into illness; the helplessness and pain this inflicts. Her poems speak to an extraordinary love, full of tenderness, compassion, and the courage it takes to seek out golden days, as each day diminishes in hope.Her collection is a fitting tribute for Stephen Matthews, the man.

 

 

 

 

No Way back Revolution and Exile, Russia and Beyond. by Nathalie Apouchtine . Book Launch reflection by Colleen Keating

 

It is always enjoyable to be part of a launch of a new book . There is always the promise of bringing it forth into the world that it will make its mark, inform someone, change someone, help someone to find their way anew and so it is with the launch of

No Way Back  

Revolution and Exile ,

Russia and Beyond

by Nathalie Apouchtine. 

It was a buzzing group of writers and family and friends that filled the Judith Wright Room at the Writing Centre last Saturday to witness this launch and to  congratulate her  on the final book here and to  wish Nathalie all the best.

It is published by  Riverton Press 2024

No Way Back: Revolution and Exile, Russia and Beyond by Nathalie Apouchtine spans three generations, three continents and nearly 100 years. Her family left Russia following the 1917 Revolution, some travelled alone, some in groups, many lived in France, very few of them ever returned to Russia. But some of their descendants did, including Nathalie, who has done magnificent research to document the personal telling of her family’s story amid the historical events they witnessed and experienced.

The book includes a photo section where we see the continuity of life: men of one generation dress in military great coats with medals, while the migrating younger generations wear simple worker’s garb, and later, the family finally puts down roots in new lands. As with refugees everywhere, this is no small achievement.

A story of exile and migration, one that continues to resonate in today’s troubled world.

I am very pleased to have a promotion on the back cover which reads

No Way back brings alive the story of the Russian Revolution
and the aftermath of exile, through a wonderfully traced family history.
Apouchtine interweaves a reflective history with world history
in an engaging and captivating way . . . No Way Back
is a valuable addition to our Russian history 

Colleen Keating Poet

 

   

Question and AnswerPanel    and Jackie Buswell at the launch.

 

Some friends ctching up at the launch

Review

No Way Back  brings the story of the Russian Revolution and the aftermath of exile alive through a wonderfully traced family history.  It is better than any ordinary history book as the author, Nathalie Apouchtine, weaves a scholarly historic timeline with her ancestors’ stories, personalised by memoirs, diaries, recorded interviews, eye witness accounts, old photos and keepsakes, letters and postcards from throughout the 20th century.  The tapestry even more enlivened as many of the archives have been translated by Nathalie for the first time.

 At one level a journey from a family’s life of contentment to face a world changed dramatically and completely and at another an epic history of an all too familiar experience : violent disruption to traditional ways of life, the mass movement of peoples and exile.  

The threads of this story, their warp and weft are made even more real by the author’s visits in the 1990’s to trace the footsteps of her ancestors. Visits to Smolny Institute  with its checked and bloodied history  Nathalie writes,

Seeing the stately architecture with the winged symbol of the tsars and the peaceful trees and lawns around it on a summer visit in the late 1990s, I tried to picture the scene described by Sergei: the cold, the crowds, the weapons, the rushing about. . .  a place  where my maternal grandmother and three of my great-aunts were students here, music and young female voices would have resonated behind those windows.

Nathalie has the gift of interweaving a personal history with a world history in an engaging and captivating way. In her writing she makes the reader feel we are unravelling the story togethers Never boring. It is a valued addition to history and a good read.

Even where the flight was more orderly and less risky – whether via land or water – the mingled feelings of confusion and fear for the future, and grief at having to abandon the homeland, built on anxiety over the actual logistics of various escapes.  165

 No Way Back is one of those rare books that can give a depth of understanding of historic time, recounting  the idyllic Russian life at the turn of the century  with the unfolding of a changing world before their eyes

 . . .the Civil War effectively ended in November 1920 when the anti-Bolsheviks in the south lost their last bit of territory on the Crimean peninsula. This prompted the biggest surge in the exodus. About 150,000 White troops and civilians – though some historians say many more – sailed away on a flotilla of boats of every size, shape and purpose, their overflowing cargoes of people destined mainly for Constantinople.  . . . The travellers to Constantinople, as well as to other areas adjacent to Russia, would eventually continue on to various parts of Europe, to China, to the New World, and to countries all around the globe. They were now refugees. 

This story will hold you immersed in a tapestry of love and loss of country or Homeland. For any writer a formidable task but here Nathalie skilfully faces the challenge and we the reader are the fortunate ones to read this book and to be forever enriched .

Colleen Keating

 

Book launch invite pdf 7