Australian Haiku Society, Sydney Cherry Blossum Festival 2026

   

 

It was one of those days when the sky was deep blue, such an unfathomable deep blue  it drew me in to feel as if I could zoom through it forever. Busloads of people  and hundreds of cars, continually arrived as the visitors and tourist built up . 

The spring blossoms in the Japanese Gardens were only just peeping out. It reminded me of the waiting haiku I read later.

We cannot push nature . She comes in her own time

not in a hurry
to blossom –
plum tree at my gate     

   

 

 

I felt very happy to be part of our group which in a way represents the  Australian Haiku Society.

Thank you to the wonderful haikist Vanessa Proctor for organising  this event where 7 of us spent an hour on the stage sharing our chosen haikus and saying a few words about the craft of writing haiku.

   

–––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––-

Spring blossoms peeping out reflected in the pond, red camellias. pink azaleas, white  iris  red cherry blossoms ,reflection pool, Japanese rock garden with racked white pebbles, waterfalls One could sit and contemplate around this Zen garden, 

Dusky Moorhens ( a native water bird) , the sacred Ibis, magpies who joined us at our picnic, crows and the stunning Peacock  roaming around through the gardens,

         

We spent time over in the Australian forest area and we praacticed the Shinrin–yoku Forest Bathing walk.     

 

My few words and choice of haiku for out hour on the stage at the Cherry Blossum Festival.

Good morning all , My name is Colleen and I am a Sydney based poet.When I discovered the writing of haiku it was like that Toyota reaction  “ O what a feeling” , a satisfied  deep breath and the deep sigh from it  I see the beauty in nature  and I love being in that present moment . I have been writing Haiku  for about 10 years and I belong to a Haiku writing group called White Pebble where we meet once at the beginning of each season and we walk in the garden and ponder write and then after sit and share our words and ideas. 

     

Remember if you want to write haiku you only need a pen/pencil or a phone to record  and look out your window  and notice the light slanting colour,  clouds rain  and  jot it down . 

my first few haiku  to share with you 

profound silence 
as the baton is raised 
cherry blossoms fall         Helen Hobbs nz

cherry blossoms 
softens stone and 
hearts                        Colleen Keating 

Mention of our  Haiku trip to Japan for the Cherry Blossom festival 

Tsuruyama park  in Okayama with 4000 sakura trees   Just a very special time. Lots of families and friends celebrating together.  Weddings etc Beer gardens food trucks, illuminated in evenings. 

Thousands of Japanese people spread out blankets  and picnic under the cherry blossoms .

Their trees are very precious as I observed one very ancient tree propped up and the haiku I wrote there

cherry tree
propped up in old age 
blossoming                    Colleen keating

blossoms falling 
on graveyard stones
spring rain                       Michael Thorley  a close friend from Tamworth 

tread lightly 
on stepping stones
mysterious moss          Colleen Keating

Some of my favourites from the masters 

not in a hurry
to blossom –
plum tree at my gate        Issa           

Kobayashi Issa (1763–1828) is  one of japans’s great haiku masters, famous for writing over 20,000 poems about tiny creatures like snails, frogs, and fleas. His work is full of warmth, humor, and deep sadness from a hard life

with each falling petal
they grow older –
plum branches                              Yosa Buson 18th century

white plum blossoms 
return to the withered tree 
moonlit night                                 Yosa Buson  Master 

Yosa Buson was a Japanese poet and painter of the Edo period. He lived from 1716 – 1784. Along with Matsuo Bashō and Kobayashi Issa, Buson is considered among the greatest poets of the Edo Period

A few more from haiku writers.

spring morning
the kitten pounces
on a hawk’s shadow          Andy Hede

lorikeet chatter
in the bottlebrush
backyard gossip                     Jahan Tyson

winter yard
a magpie carols
on an empty clothesline            Robyn Cairns

sleepy tourists
the beauty of blossoms 
too much                               Michael Thorley

Windfall: Australian Haiku Issue 9 Review by Simon Hanson

A great review of Windfall Issue 9 and I feel very excited to get a mention in the review and feel proud to be mentioed with such good haikuists.

Windfall: Australian Haiku Issue 9, 2021 – Review

Review by Simon Hanson

How fortunate we are  to have a journal like Windfall: Australian Haiku, showcasing as it does, the best of Australian haiku— bringing together familiar and new voices (and the new voices are exciting). This issue, like those before it celebrates many and varied aspects of Australian life in its country, coastal, urban and domestic settings accompanied by a host of perceptive observations around season, landform, flora and fauna and the lives of people.

we slow our stroll
to another time
outback town

Glenys Ferguson

perching magpie
the blackened stump
seamed with ash

Gavin Austin

 

In reviewing any journal or anthology one is invariably faced with the task of singling out particular poems for mention. There is some discomfort in doing this, made all the more acute in this instance given the quality of the entire collection. Let it be said that one could happily include any of the haiku presented in this issue as worthy of mention here. The inclusions I make here are a means of indicating something of the range of subject and style to be found in the whole issue— and a wonderful issue it is. The real task of selection has of course been done by its editor, Beverley George, choosing and sequencing 63 haiku from some 560 submitted poems, the size of the journal inevitably limiting the number of acceptances to the most outstanding haiku from the many received. We may be assured that the entire process of editing is heartfelt and undertaken with much thought and feeling over many, many weeks— as has been the case with each issue over the past nine years— what a contribution to our haiku community.

colour splashed
on a grey day canvas . . .
rainbow lorikeets

Gwen Bitti

 

warm breeze from south west
the main and jib on hard
beating to the mark

Brian English

An editor does far more than select and organise work for any given issue.  The challenge and value of quality editing is not only to give the published poets a recognised voice but to produce a publication which offers reader enjoyment and a large measure of inspiration for further creativity. Come June and July each year many of us turn our minds to Windfall: Australian Haiku, becoming perhaps a little more attuned than usual to the “…experience of urban and rural life in Australia…”. In revisiting past issues, we might gather amongst other things a sense of what might appeal, refreshed again by the creativities of others. Of course there is the occasion of ‘that moment’behind what we do in writing haiku, but I know also— there are many haiku that are written because of Windfall. Poets only partly own their creations, much of what we do is done with others in mind and always in the larger context of the broader culture of art and poetry, local and further afield, current and historical— and for this I am grateful.

autumn stroll,
on the cement footpath
a gum leaf’s imprint

Samantha Sirimanne Hyde

outdoor pot plants
a sunshower
from the watering can

Judith E. P. Johnson

There are haiku here that speak deeply to the heart, move us in their poignancy.

op shop –
all the teddy bears
sold out

Lyn Reeves

I watched that day
her last walk by the beach
. . . ebbing tide

Colleen Keating

Others of a lighter note add a touch of humour, yet we recognise them as authentic, set in familiar circumstances.

beach picnic
a dog races past with
a ball in its grin

Norma Watts

 

country show
the pink stickiness
of a child’s smile

Glenys Ferguson

There are those that speak of deep time and turn our minds to the spirituality of this land and the ancient cycle of seasons

red river gums –
guardians of stone stories
in dry hollows

Susan Grant

frog chorus
the rhythm of raindrops
on the pond

Maureen Sexton

And some that may leave one agasp for their sheer beauty

snowy eve
amid cloud tatter
cold stars gleam

Kent Robinson

 

wood duck
cracking ice puddles
pink dawn

J L Penn

Then there is this gem that in so few words, brings home once again the fleeting nature of things, the passing of time, as the years flash by, evermore quickly so it seems.

in a puddle
for this moment
fast train

John Low

Windfall: Australian Haiku is literally pocket or handbag sized. It couldn’t be easier to take on the bus or train, to the park or garden bench, or when visiting friends. In fact, to take anywhere. With a handsome cover created by Ron C.  Moss, the whole booklet beautifully designed and laid out by Matthew C. George and the whole enterprise so ably managed and published by Peter Macrow for his Blue Giraffe Press. And as a nice touch the inside back cover lists an annually updated list of recent Australian Haiku Titles.  Pocket sized yes, but huge on stature.

The next issue of Windfall will be the last— it will mark ten years as one of our premier haiku journals; an Australian treasure; something to celebrate…

Simon Hanson
Secretary, Australian Haiku Society