Superb Fairy Wren by Colleen Keating

 

Finding that the Superb Fairy Wren has not disappeared from our city but has just retreated to a last safe vestige of the Creek reserve is my gift for today.
Even so man encroaches as close as building are permissable into this fragile habitat.

Yesterday I discovered another new track in legal safe walking distance from my place.
It is the fourth new track I have explored since the pandemic lockdown.  I have been here 5 years and just find myself walking familiar ways .

At this new discovery of a world away from the world I was so happy


I felt like shouting my delight from the mountain top but knew that was impossible then I thought of telling the world through face book but decided against that as so many put things up and it depends on other readers moods if it works or not. It can be seen differently from how I meant. So I decided I will recored it for myself on my blog and if it is seen well and good. But it is a gift of this Autumn walking time, it is a gift of this slow down and self isolate time for me and of course it is a gift from the Waitara Creek Bush Walking Track.
Along the way, before I climbed down to explore the bush,  I enjoyed the thrill of autumn colours and  some wonderful Camellias so picturesque with the carpet of petals falling.


And a wonderful shot of a lorikeet. It looked up at me and I captured it.

I felt so happy but the happiest I was finding the superb fairy wrens that I thought had left our city because their habitat is destroyed . A dubious reason some agree some dont that our bush and scrub and undergrowth is burnt in winter as a fire-hazard reduction . The creek is an exemption and hence my discovery. I wrote a poem to celebrate.

Can you see the trill of his tail? 

 

in search of  the small birds

the superb fairy wrens 

the lyre bird
scratching at the forest floor
and singing
every song she could mimic
pulls me up

i fail to see her
rustling along
at the edge of the creek
which was singing its own song
a rainy flow and fall song
delicious to hear after
the lament of summer silence

it is one of those places
with haze of blue gum air
that McCubbin could have painted
with deepest space
of a child lost amidst the threat
of muscular rocks
but here softened
by moss and maiden hair fern
shadowed by tall tree ferns
still in their stillness
eerie and lonely

i disturb a brush turkey
who trips across my rough track
like a jazz dancer across a stage

then i hear them!

i stopped to touch the pink dimpled trunk
of a river gum
looked up at its grandeur
that makes me feel so small
and catch
the trill twittering of small birds
in the undergrowth
to the far side of the creek

i still
became one with the trees
and watch the play like ritual

it was a salutation to the whole world
only they could capture it in this bush
as they whirr needle-like
dance along branches
wings blur blue and brown
flirted fluted fanned
their tiny tales teased
maybe for them even I was their audience

but once again the birds
teach me enchantment from a distance
and they were there
now they are gone
so many times

i worry about our tiny birds
lost from our city by the necessity
of fire hazard reduction
of their habitat
a case of survival of the fittest
in this case the biggest

for me it was the gift
to know they are not gone
just retreated
and i am reminded once again
of Mary Oliver’s words –
walk slowly  bow often 

 

 

 

 

Shared Footprints by Michael and Colleen Keating

 

Shared Footprints  is a Picaro Poets chap book perfect for your pocket when out on a walk or perched on an outcrop of rock overlooking the ocean.   Order it through Ginninderra Press .

Over the past two years Michael and I have done a seasonal beach walk each season from  Tuggerah Lake,  The Entrance Beach around the headland to Blue Bay,  around the rock platform to Toowoon Bay and along the beach  for a Cafe breakfast  at Toowoon Bay Life Savers Club and then  we walk back .

We walk quietly with notepad and pen and jot down what we observe.  Over the years we have put our thoughts down  side by side in response to the beach,  the seasons and each other.  We put this manuscript to Brenda Eldridge from Ginninderra Press as a possible Picaro Poets Chap book. It was accepte,   formatted and published. It is  for people to enjoy nature hoping to stimulate deeper awareness in us all.

Available now from www.ginninderrapress.com.au  /picaro poets and scroll down to our name.

It is divided into four sections

Spring: New Beginnings
Summer: Under a Melting Sun
Autumn : Tumble of Ocean
Winter: Our Shadows Long

Just a few examples

sea pattern
periwinkle meander
in the interidal zone   MK

 

 

 

we quicken pace
as wind leans in
hand warm together  CK

 

DEDICATION

for our grandchildren, our little castle builders, channel diggers, treasure collectors

may they all be star throwers.

The Star Thrower*

  One dawn, a man was walking along the shore.

   he noticed a young person reaching down to the sand, 

   picking up something 

  and very gently throwing it back into the sea. 

As he got closer, he called out, 

“Good morning! What are you doing?”

 The young person paused, looked up and replied, 

“Throwing starfish into the sea.”

“Why are you throwing starfish into the sea?” he asked.

“The sun is up and the tide is going out. If I don’t throw them in they’ll die.” 

“But, don’t you realise that there are miles of beach here 

 and starfish all along it. How can you possibly make a difference?”

The young person listened politely. 

Then knelt down, picked up another starfish 

and threw it  safely into the sea, past the breaking waves and said…

“Made a difference to this one.”

* Loren Eiseley  (adapted)

Thank you to  Picaro Poets to Brenda Eldridge who gives such inspiration, affirmation and support

Landscapes of the Heart by John Egan & Colleen Keating

When the noted poet John Egan asked me to collaborate with him on a chap book with the idea of presenting it to be published with Picaro Poets (an arm of Ginninderra Press) I was very affirmed and excited. It quickly became a challenge for our poems needed to have a thread of interconnectedness and for me I always want a book that someone in the future can pick up and read and find meaning and hopefully a spark of something I like to call ‘the more than”

We teamed up with Brenda Eldridge that I always find is on my wave length of wanting  poetry that says the ‘the more than’  and Landscapes of the Heart was born.  Brenda did a perfect typeset and production.  Many of our poems had been previously published in poetry journals and magazines and it was affirming to have them collected in this book. John suggested we use the quote of Henri-Frederic Amiel,

‘Any landscape is a condition of the spirit’

I have a sense our poetry is an antidote for today with Covid lurking in our midst , causing havoc with our lives and livelihoods.

What is earth asking of us today ? 

I know for me,  the poem I will share called delphic visitor  on page 15 is with me today . I am in self-isolation along way from the  Manning River  and the kikuyu grass covered in dew  and the herons that come each morning  but here at this desk I carry that scene and that heron deep inside my chest to protect me from the forgetting the beauty of our world and to protect me from being sentimental about life. The delicate exquistite heron that looks more like a shy ballerina who could be stepping out to Camille Saint-Saens The swan must kill ruthlessly and feed every day to stay alive. There is something about the Covid virus today that says the earth is struggling . . there is a message we have to listen and listen. . .

 

delphic visitor

clear winter morning
a silver heron tiptoes
through a tangle
of wild kikuyu grass
stalks
waits statue-still
pounces
strike of pick-ax blade

throws
its rippling neck back
in an alleluia pose  

I venture into the paddock
to capture a photo
my jeans trail over dew laden grass
and this silver heron
my morning oracle
with quiver of white breast
soft flutter of blue-grey wing
cranks its bamboo legs
uncurls its gold-tip feet
lifts
tacks into flight
loose grey silk
against a blue sky

by Colleen Keating

 

 

A quote from John’s poem Sunrise over the Sea

. . Mesabi Range iron-ore red,
rotating mardi gras, the sea and sky
and carosels of rays,
an orange wheel of fortune
where the Sun King rides
his new Versailles of light. . .
Hallelujah Chorus chimes,
a sea of stars declines
and curtain clls,
the sun’s the star,
strides on stage
to wild applause.

to read more you need to go onto Ginninderra Press, Picaro Poets  web site and scroll down  to buy the book.

 

When you can only take photos from the window  by Colleen Keating

When you can only take photos from the window 

(in self-isolation from covid-19)

I had forgotten how much light there is in the world till you gave it back to me
Ursula Le Guin  A Wizard of Earthsea

you can be caught easily by a showy redhead grevillea
the fancy filagree sprays of white Fiddlewood florets
the yellow curl of aspen’s hint of autumn

you can be caught by the one native miner
that flies in cute and curious
and snap it from every angle with each flit of wing

yet in the window frame of my mind
it is greenery that speaks to us today
with constancy of presence 

 

how its algorithm of leaf space
pattern and deft design
underscore artisry

how it covers the ground
when left untamed   patient when trimmed
how it begins again    never gives up

a grass tortoise of the fable
it’s slow slog     up trellis     over pipes
down walls

resolute against  drought   fire    plague
how it regenerates    never resiles
to come back

 

and how the most insignificant–
titled  weeds break through black plastic
distort concrete and pavement

to find the crack
the crack to get back
the light that beckons carry on 

it reminds me
how first green shoots 
of snow bells spear apart dark soil
 

how moist green worlds
congregate in alcoves of rock
in the hottest of deserts  

and how the play of light

shadows 

slants 

shines

giving us a thousand shades of green

 

Frederick for Winter-time – a fable

Frederick for a Winter time.

 

Some of you might know the story of Frederick
the field mouse accused of sitting about
day-dreaming, watching and listening
not sharing the tasks of preparing for winter
while his family filled every minute
hurried here and there to busy themselves
storing berries and nuts
for the long season they would bear

and how Frederick garnered
the warmth of the sun the wind in the air
for winter is so freezingly cold, stale and bare
and how he saved the colours of the day
for winters can be so long, so drab and grey
and how he gathered words that uplift the spirit

and how in the stark days of winter
most of the food had been eaten
and gossip and all the funny stories
had become threadbare
and they anxiously turned to Frederick
for sustenance
during the last cruel days before spring

 

 

 

 

 

 

 

 

so Frederick asked them to close their eyes
and with his words his voice his magic
from stirrings deep within
they felt warmth the air scented
with their treasured aromas
and they saw the colours of flowers and trees
rainbows and flying birds
enduring brush strokes on their mind

and how when Frederick had finished
they all applauded –

but Frederick
they exclaimed
you are a poet

Frederick blushed, took a bow, and said shyly, ‘I know it’.

 

 

And for those of you still reading here is the story translated fom the fable.

Frederick    by Leo Lionni

 

All along the meadow 

where the cows grazed and the horses ran, 

there was an old stone wall.

In that wall

not far from the barn and the granary, 

a chatty family of field mice

had their home.

But the farmers had moved away,

the barn was abandoned,

and the granny stood empty.

And since winter was not far off,

the little mice began to gather corn and nuts 

and wheat and straw. 

They all worked day and night .

All – except Frederick. 

Frederick, why don’t you work?  they asked

I do work, said Frederick,

I gather sun rays 

for the old dark winter days.

And when they saw Frederick sitting there, 

staring at the meadow 

they said,  and now Frederick?

I gather colours, answered Frederick simply.

For winter is grey.

And once Frederick seemed half asleep,

Are you day-dreaming Frederick? 

They asked reproachfully. But Frederick said, 

Oh no I am gathering words 

for the winter days are long and many

and we’ll run out of things to say?.

The winter days came, 

and when the first snow fell

the five little field mice 

took to their hideout in the stones.

In the beginning there was lots to eat,

and the mice told stories 

of foolish foxes and silly cats.

They were a happy family.

But little by little they had nibbled up 

most of the nuts and berries,

 the straw was gone 

and the corn was only a memory.

It was cold in the wall 

and no one felt like chatting.

Then they remembered

what Frederick had said 

about sun rays and colours and words.

What about your supplies Frederick ! they asked 

Close your eyes, said Frederick,

as he climbed on a big stone,

Now I send you the rays of the sun

Do you feel their golden glow?

And as Frederick spoke of the sun

the four little mice 

began to feel warmer.

Was it Frederick’s voice ? Was it magic?

And how about the colours Frederick?

they asked anxiously ,

Close your eyes again, Frederick said,

And then he told them 

of the blue periwinkles

the red poppies

in the yellow wheat 

and the green leaves of the berry bush.

They saw the colours as clearly 

as if they had been painted in their minds 

And the words Frederick?

Frederick cleared his throat,

waited a moment,

and then, as if from a stage, he said: 

Who scatters snowflakes? who melts the ice? 

Who spoils the weather? Who makes it nice? 

Who grows the four-leaf clovers in June? 

dims the daylight? Who lights the moon?

Four little field mice who live in the sky

Four little field mice . . like you and I. 

One is the Springmouse  who turns on the showers

Then comes the Summer who paints in the flowers

The Fallmouse is next with walnuts and wheat 

And Winter is last . . . with little cold feet.

Aren’t we lucky the seasons are four 

Think of a year with one less . . or one more

When Frederick had finished,

they all applauded.

                       But Frederick,

                                     they said

                                                  you are a poet. 

Frederick blushed, took a bow, and said shyly, ‘I know it’ 

 

 

 

 

Below is Thomas our young poet, this spring, March  2020 (Northern Hemisphere)

sitting in his cherry tree  in his own yard, reading Frederick. So proud of him.

 

The Launch of Desert Patterns by Colleen Keating

A launch or not a launch

The beautiful collection of poetry Desert Patterns  is launched at a non-launch in a Desert Garden.

At the Olive Pink Botanic Garden in Alice Springs, Central Australia, with an idea of ‘no clustering groups’  which is now coined ‘social distancing’ we launched Desert Patterns in a desert garden to wallabies, a wide variety of interested birds,  skinks, the wonderful vegetation of this arid garden and to one very curious Euro ( a mountain wallaby who hopped down from Annie Meyers Hill to join the frey.

 

as I read  ‘quiet stillness settles into our very soul’

and continued:

‘maybe it’s the way the light falls

throws its arms around the old familiar  cliffs

brings them alive  beckons come

come’

 

desert patterns

the landscape dreams
of caterpillars and rainbow serpents
composed
sculptured
moulded for aeons
wind water sand
carved chiseled hefted
hewn
from rock and clay
heave of ochre red
weave curve wave

desert patterns 
draw us in                                                                

every escarpment every contour
named and known
as a mother knows its children
garments of beauty
that dress our earth
like whims of scarves 

desert patterns
draw us in 

the night sky dreams
of journeys emus echidnas
black spaces
compose
shimmer
imagination
reflects ancient stories

desert patterns
draw us in 

 

 

 desert garden  18/03/2020 ( written the day of the launch . Not in the poetry book)

already some have gathered under the umbrellas
conversations tête-à-tête over coffee
hushed murmurs like one makes in a cathedral
standing in the presence of awe-inspiring domes
and zig-zag shimmer
of coloured floors of lead-light reflection

here dreamy gold light catches the tips of ghost gums –
Namatjira’s signature –that breaks the silence from long ago
how arrogant in our colonising we had become
from rocky boulders rustic-red breaks in the hills
flames out in mica shine
wallabies laze in shady groves of Mulga.

magpies sing from spindly river gums
and one wallaby sits in red sand nearby
no doubt waiting for left over fare.

all morning the magpies watch me in the garden
their bodies wiry sleek and mottled
a good reminder of yin and yang
the balance that we always seek

I write in my journal sip my coffee
nibble on toasted fruit loaf with tiny strips of cherry
spread with whipped cinnamon butter.
Around us spinifex pigeons enjoy the company

I am startled by beauty wherever i look
and I wonder how proud Olive Pink would be
to see us all enjoying the peace of her long ago vision

 

Mother and joey                                                                 sun set from Anzac Hill in Alice

Thanks to all our supporters, . Thanks to Ginninderra Press and to the magic of Inland Australia.

Desert Patterns by Colleen Keating

When we listen, this land sings to us, holds us, nurtures us. This land is the common ground that we share. This small blue planet is the common world of our existence. Desert Patterns is a collection of poetry that touches the membrane between two worlds with the breath of wildness and our inland journeys. In its striking imagery, we have a revelation of the significance of the land and of the burden of our Australian history.
‘Colleen’s poetic journey invokes the deep spirituality of our landscape. She immerses us in “a multitude of gorgeous images” as we stand in Tunnel Creek remembering Jandamarra, marvel with Monet at Kakadu’s “blazing-blue lilies” and dream with cicadas: “is it a place the gods keep/to seduce the lost like me?” Every step of the way, Desert Patterns will entrance you.’ – Pip Griffin
‘Colleen Keating in her distinctive Australian voice combines sensitivity to place with clear, powerful free verse. Her images are both striking and profound. Again as in her previous collections, her poetry is underpinned by a gentle spirituality from a woman’s perspective. – John Egan
‘Take time to enter the world of this poetic landscape. Colleen Keating invites us to listen – with all our senses.’ – Margaret Hede
Following on the publication of her award-winning poetry collection Fire on Water in 2017, Colleen Keating, a Sydney poet, has continued to search for a sense of place in country – a land that is timeless and always changing. Much country has been handed back to its traditional owners, while mining companies and pastoralists continue to maintain their position. Aboriginal art has flourished and more people are searching for a place to call home. Colleen has also had published by Ginninderra Press  A Call to Listen and a highly acclaimed verse novel, Hildegard of Bingen: A poetic journey. She has also co-authored Landscapes of the Heart (Picaro Poets) with John Egan.
978 1 76041 844 1, 94pp

Versions

Paperback

9781760418441
$22.50

The Yellow Rose

 

 

The Yellow Rose 

And the weather turns around

from pyrocumulous horror

our  infernoed land is drowned

in flooding rain

and now a misty morning

for walking once again

after a scorching summer

of ash and smoke hazed air

 

I see the  rosebush has survived                                            

for  the yellow rose nods

smiles as if it recognises me

and murmurs

 

just for a moment

it stops me in my tracks    draws me in

then its smile is in the curled petals

its nods in the zephyr of breeze

and I move into my day singing

my rose has the look of  a flower

that is  looked at*

acknowledged and loved

like the rose in the little Prince

  • TS Eliot

Bearing witness to the fires Summer 2020

 

 

bearing witness

reverence is called for  . . .

a mournful dignity  on this beach today

it is far from the war zone

 but each wave carries the remains

flanked with blackened ash

it lays to rest in curves on the sand

not stark stiff birds as sometimes washed up 

blown in by severity of storms 

here is death consumed 

held up evidence 

as flotsam                                                           

and left like wreaths 

curved around a cenotaph

wave after wave 

sometimes  when washed out 

there is respite

for one does not know what to do 

but it comes back on the tide with vengence 

there is no escape  to being the witness                                

till one falls down on the sand to weep

and finds they’re not alone 

as the lament of the waves

comfort with whispered threnodies 

and hazed in smoke 

the weeping eye of the sun waits

 

 

 

Small pockets of new life come up to meet us everywhere.

 It does not help the many who have suffered the loss of loved ones, 

those who have lost their homes and/or businesses. 

It does not help the awful trauma that is with us 

and it doesn’t alleviate the  grief we bear as a nation 

at the loss of our precious flora and fauna. 

It is a sad, sombre and very sobering summer. 

 

 

The new Anthology, Love’s Footprint edited Maree Silver & Leigh Hay

 

LOVE’S  FOOTPRINT  published by Poetica Christi Press

  Edited by Maree Silver & Leigh Hay

It is exciting to have two poems chosen to be included in the very thoughtful Anthology Love’s Footprint published by Poetica Christi Press. My two poems ‘bells’ and ‘morning glory’  were chosen among 132 poems that make this Anthology an enjoyable read.

It has been a joy to read this anthology by poets whose experiences speak from and into vulnerability, risk, ageing and loss, in ways that are believable and moving. There were many notable poems which surprised and warmed me. You will be consoled and absorbed by the truth-telling  of the poets who have in common the human and divine capacity to love in both action and word. (Marlene Marburg, poet and author Grace a upon Grace)