Lockdown walk No. 16: Finding inner solitude in days of uncertainity

 

dappled light
filters through swamp oaks ~
a cathedral  moment
as a tiding of magpies  
fills it with song

 

 

 

Finding inner solitude today in these final days of lockdown after 112 days of retreat from the world.

June 23rd we knew Lockdown was in inevitable and so we stopped at our small apartment in the coastal town The Entrance, which gave us the feeling of being on a retreat rather than being at home, rather than a holiday, because we could not travel further than 5km. Now it has been 16 weeks of  searching for inner solitude. My tanka above was not  the one chosen for the Eucalypt 31 but it speaks of our days here.It sums up the days of walks  the birds our only companions and the ‘being’  rather then the ‘doing’as the frameworks of meeting with family, friends, writing groups, art gallery, concerts, gatherings for launches and celebrations even funerals, fell away.

What are we left with we older ones who are not homeschooling. holding down  jobs, working from home and keeping spirits of children high.? 

Then I found the perfection of the sonnet by Longfellow speaks brilliantly of my sentiment. 
Emily Dickinson grapples with the same in her brilliant way.

Like Dickinson, Longfellow finds that the one-to-one confrontation occurs best in nature:

And now for Henry Wadsworth Longfellow

My Cathedral

Like two cathedral towers these stately pines
Uplift their fretted summits tipped with cones;
The arch beneath them is not built with stones,
Not Art but Nature traced these lovely lines,
And carved this graceful arabesque of vines;
No organ but the wind here sighs and moans,
No sepulchre conceals a martyr’s bones.
No marble bishop on his tomb reclines.
Enter! the pavement, carpeted with leaves,
Gives back a softened echo to thy tread!
Listen! the choir is singing; all the birds,
In leafy galleries beneath the eaves,
Are singing! listen, ere the sound be fled,
And learn there may be worship without words.

Henry Wadsworth Longfellow, (1807–82), American poet
– is known for ‘The Wreck of the Hesperus’ and ‘The Village Blacksmith’ (both 1841) and The Song of Hiawatha (1855).

And now my  brilliant  friend  Emily Dickinson

Some keep the Sabbath going to Church —  324 or 326

by Emily Dickinson

Some keep the Sabbath going to Church —

I keep it, staying at Home —
With a Bobolink for a Chorister —
And an Orchard, for a Dome —
Some keep the Sabbath in Surplice —
I just wear my Wings —
And instead of tolling the Bell, for Church,
Our little Sexton — sings.
God preaches, a noted Clergyman —
And the sermon is never long,
So instead of getting to Heaven, at last —
I’m going, all along.

 

In the above photo
my cathedral is not of stately pines
but of vibrant grass trees and banksia
old river gums, iron barks and acacias
ancients rocks carved from wind and sea
and whispers of spirit under every footprint I take
and when I listen the choir in my cathedral
is full of the healing and comforting sounds of home

Colleen Keating

 

 

 

Lockdown Walk No 14, Full of surprises by Colleen Keating

A Walk full of surprises

Surprise No. 1   A phenomenon

 

The sign list wild flowers
as ground cover
along our dune walk
planted to hold the earth
from a hungry ocean
eating away the beach
threatening buildings
built too close to the edge.

From the headland the ocean
spreads innocently today
like a dark silk quilt
slightly ruffled with silver lines
by a gentle breeze.

Along our track
we marvel at the array of gazanias
yellow to orange to deep tangerine
as if an artist had come with her brush
painting petals with dots and lines
extra patterns for variety.

Pig face, pink to purple
bursts brightly, its showy array
taking our attention and with
bees and butterflies we delight
in its sunny face.

The blue fan dune flower
goes unnoticed . . .

till we notice it.

We sight our first.
Thinking this was a lone plant
and we were lucky.
Down on my knees
I make a fuss
admiring its delicate blue fanned petals.

Then a phenomenon occurrs.

We start to see it dotted amongst
the ground cover of gazanias and pig face
everywhere.

How excited to find this phenomenon
has a name
Frequency illusion *

which states
once a thing or idea or word finds your attention
your mind tends to see if often.

* Frequency Illusion first noted as Baader Meinhof Phenomenon
It’s the difference between something actually happening a lot and
something you’re starting to detect a lot. When your awareness
of something increases  leads you to believe it’s actually happening more, even if that’s not the case..

Surprise No 2      The coming and the going

(after The Snake,  D.H. Lawrence)

 

A heron came to my walking track
on an early spring day
and I on a hike to enjoy the heathy dune and beach
on a dry balmy-scented path lined with bushy banksia trees

I came along the track
and must wait
must stand and wait for there it was
on the path
before me.

It had dropped down
on slender stilted legs spyed kikuyu grass
at the edge and remaining stealthy-still
fully focused on the unseeable in the grass
and with pickax precision struck
lifted its neck tall
gobbled back its prey
its long slender throat lumpy in its impulsion.

Silently.

Someone was before me on my walking-track
and I, like a second comer, waiting.

It stretched its neck after eating as herons do
and looked my way as herons do
and tucked away a leg
pondering on one leg
mused a moment
and refocused fully engrossed
being like a taichi master of mindfulness
on this spring day in mid September
during my hour of exercise
out from a pandemic lockdown.

This is where I differ from DH Lawrence
the voice of my education had no sense
to do it harm. Of course I had no fear
like one might with a yellow snake.

i liked being close to it and wanted it to stay
just for awhile to admire
its silvery blue-grey down
its fine white lined face.

This was my chance encounter
and like Lawrence’s next thought
it delighted me.
I too have to confess how I like it
How glad I was it had dropped down onto
my sandy path
like a guest, come in quiet, to feed in the grass
to depart peaceful, pacified and thankless
into the blue clean air.

Was it perversity that i longed to talk to it?
Was it humility to feel so honoured?
I felt so honoured. . .
that we should meet here on this path on this day.

It fed enough
lifted its head dreamily
as if sniffing the scent of the lake once again
stretched its whole body into full height
and looked around like a god or goddess
unseeing into the air. My still statue did not deter
as it slowly, very slowly drew its body in,
legs like the wheels of a plane tucked under
wings with the lightness of an angel
lifted into the air
becoming a white air brush of the sky.

And I was thankful for my education
in being aware that this creature
is one with all of nature
and we are part of the whole
to be in reverence before it
and to be astonished.

I regret it had gone as if in exile
for i feel I am the one in exile
in demanding  this my track
my habitat
my world before its rights
and so foolish to think it my heron.
For it seemed like a king or queen
and in a world of enlightenment
crowned sacred
i shared a moment with one of the angels of life
and i have reason to be gratefull:
for the presence of grace.

Surprise No 3      Out of the blue

from the lookout
on the sand dune
sea and sky all blue

the tawny winged Kestrel
hovers into the wind
as if a show for us
its perfect audiance
and as if curious
flies over us
and i too afraid to look up
for fear of being pooped on

it circles around us
as if a grand performance
then stock-still on the air
focused below
it pins its wings
as if pegged back
drops down
swiftly with harpoon speed
into the foliage, feeds and returns
to play on the wing.

 

Tanka

dune walk 
clumps of gazanias
colour my day 
with all the moods
of the rainbow

 

 

Countdown to Hildegard’s Anniversary 17th September by Colleen Keating

Countdown : Hildegard’s Anniversary 17th September. She still speaks to us today . Her encouraging words to us to care for our planet, her sacred music, her knowledge of healing plants, love of the cosmos,

is all there for us in the 21st century . . . 842 years after she passed.

We celebrate you Hildegard.

Hildegard writes,
“The earth is at the same time mother, She is mother of all that is natural, mother of all that is human. She is mother of all, for contained in her are the seeds of all. The earth of human kind contains all moistness, all verdancy, all germinating power. It is in so many ways fruitful. All creation comes from it. “
~ Hildegard of Bingen
My photo “Veriditas” was taken of the moist undergrowth in the Wyrrabalong National Park on Darkinjung country Central Coast.
Veriditas – ‘the greening power of the divine’ – or ‘the healing power of green.’ Hildegard believed in the unifying power of the divine as reflected through growth. The “greening” in nature serves as a symbol of spiritual and physical health and reflection the divine in nature

Lockdown Walk No 13 Out to the trig station and back

Out to the Trig station and back  

the coddled clouds 
were part of a gentle day
their feather touch
calming
even the horizon misty 
a moist lightness on the sea air

the path soft and established 
with sandstone built sides 
the only reason we have hesitated 
before
is the steep gradients of ups and downs
today it seemed right to tackle 

I expected wildflowers at their best
a past memory was a gathering
of flannel flowers 

we met a back-burn
dry acrid smell
black ashen ground 

the air tasted acerbic
it harshened my breath 
agony of  past summer fires
miniture here 
reminded me of loss   
of absence  

yes nature survives fire 
yes banksia uses heat to propagate
yes it can prevent wild-fire destruction

but here I stood before empiness
my mind spinning

will the flannel flowers return?
will the flying duck orchids 
break this hard dry barren place?

all I can say
I grasped for answers
only when I got past this area
did they come
in colours and patterns
resilience and belief in renewal

 

Lockdown Walk No. 11 featuring the Sensory Gardens on Tuggerah Lake

A joint project of Wyong Shire Council and Lions Club The Entrance, located at Terilbah Reserve, The Entrance North. The gardens are filled with native trees and plants, a viewing platform overlooking the beautiful Tuggerah Lakes pathways, bridges, restful seats and all weather shelters.

 

A special feature of the garden of course is the sensory aspect. One is able to feel, touch and smell the many aromas and textures of the Australia Bush.   The colours of the Banksias , grevilleas and the three types of wattles  I discovered

 

Our picnics are very relaxing

And some of the birds that came up closer enough for us to observe each other

Spoonbills, heron, cormorant , pelican, egrets, ducks, honey eaters.

 

 

 

Lockdown walk No. 10, Under-cliff rock platform by Colleen Keating

 

Under-cliff Rock Platform 

A low tide walk
to explore the rock platform
snugly hidden
under the grassy cliffs
of Crackneck Lookout.

On the steep walk down
a whip bird song accompanied us
darting in and out of the foliage
with a clear sharp whip
content with an instant cheep-cheep reply

down on the beach
under the undercut of the cliff
through sand and rock and bush
scrub and mangroves

there was a salty feel to the day
out on the rock platform
we found a viewing spot
behind us the high projecting
grassy headlands
before us waves rolled in
dashing with jubilant spray
against the rocks

suddenly we were
the only two people in all the world<
the wide vista of horizon
like long arms curled around us
we relaxed into our oneness
into a cone of happiness
with permeable membrane
that allowed the real world to lean in
crashing of waves, rolling ofocean

then from out of a rock pool
a white-faced grey heron
like a mystic appeared

we accepted it as gift

namasté

our hearts as light as
lifting grey wings

At home I pondered once again the quote that has been tacked to my office wall for years

Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness that most frightens us.’ We ask ourselves, Who am I to be brilliant, gorgeous, talented, fabulous? Actually, who are you not to be?

You are a child of God.  Marianne Williamson 

Launch of Olive Muriel Pink: her radical & idealistic life by Colleen Keating

BOOK LAUNCH

Sun September 19 @ 11:00 am

ALL WELCOME   FREE EVENT

 GINNINDERRA

 PRESS

  warmly invites you to the launch by

          Emeritus Professor Andrew Hede PhD 

  of the book

OLIVE MURIEL PINK

Her radical and idealistic life

by Colleen Keating

Venue: Olive Pink Botantic Garden

Stay for lunch at the Bean Tree Cafe with the author and buy a signed copy.Later join us for a Pioneer Walk in the garden and learn more of Olive Pink with the curator of the park Ian Coleman 

ENQUIRIES: COLLEEN KEATING  touchstoneten@gmail.com

Details

Date:
Sun September 19
Time:
11:00 am
Event Categories:
,

Organizer

Olive Pink Botanic Garden
Phone:
08 8952 2154
Email:
curator@opbg.com.au
Website:
opbg.com.au

Venue

Olive Pink Botanic Garden
Tuncks Rd
Alice Springs, NT 0870Australia
+ Google Map
Phone:
08 8952 2154
Website:
https://opbg.com.au

Looking for Olive. Member’s Talk at SWW on Olive Muriel Pink by Colleen Keating

THE SOCIETY OF WOMEN WRITERS NSW Inc.

LITERARY EVENT

WEDNESDAY 8TH SEPTEMBER 2021

I .00 PM–2.15 PM

ZOOM FOR TWO WONDERFUL SPEAKERS

MEMEBER SPEAKER – COLLEEN KEATING

Looking for Olive – the radical and idealistic life of Olive Muriel Pink

by Colleen Keating

 

Colleen, author of five poetry books  with Ginninderra Press and 5 poetry chap books  with Picaro Poets will talk about the inspiration, development and publication of her latest book,  A Poetic Journey with  an Australian women Olive Muriel Pink .  Colleen first became curious after visiting the Olive Pink Botanical Garden  in Alice Springs on a holiday and unable to find local information about Olive.  Back home she became immersed in the passions and struggles of Olive Pink’s story, a pioneer Australian woman of the first half of the 20th century.(1884-1975).  Here was a justice warrior, an advocate for the rights of the Indigenous people, a trained anthropologist, artist, gardener, botanist and curator.  And one whose song needs to be sang.  

 

KEYNOTE SPEAKER – JULIE JANSON

A woman writer’s journey – the restorative justice of writing Australian Indigenous themes

by Julie Janson

 

Keynote speaker – Julie Janson: A woman writer’s journey –  the restorative justice of writing Australian Indigenous themes

Julie is a Burruberongal woman of Darug nation, Hawkesbury River NSW. She grew up with an Aboriginal father and mother of English descent in Boronia Park, Sydney.
She is a teacher, artist, novelist, playwright and poet, and a recipient of the Oodgeroo Noonuccal Poetry Prize and the Judith Wright Poetry Prize.
Julie’s published novels are The Crocodile Hotel (Cyclops Press 2015), The Light Horse Ghost (Nibago 2018) and Benevolence (Magabala 2020). This latest novel will be published by Harper Collins in USA and UK 2021.
In a career as a playwright, Julie’s plays have been produced in Australia, Indonesia and USA:
  *  Two plays-Black Mary and Gunjies (Aboriginal Studies Press 1996)
Gunjies, nominated for an AWGIE
The Crocodile Hotel, nominated for Patrick White Award and Griffin Award
  *  Black Mary produced by Company B Belvoir St Theatre 1997
The Eyes of Marege, Sydney Opera House Studio, Adelaide Festival Centre 2007 and Makassar, Sulawesi
Julie was fortunate to present at the Adelaide Writers Festival 2021, Bendigo Writers Festival 2021 and Byron Bay Writers Festival.
She has also experienced Asialink Literature Residencies Indonesia 2000, 2003; Varuna residency; Tyrone Guthrie Writing Residency, Ireland 2006; Australia Council BR Whiting Residency Rome 2013; Listowel Ireland Writers Festival and Belfast Book Week 2016.

To book and pay:
$10 members, $15 non-members

Book via TryBooking: https://www.trybooking.com/BTSFK

or by direct debit:

The Society of Women Writers NSW Inc
BSB: 062 018
Account:  00950433
Code:  VM (for Keynote Speaker) or VMW (for Workshop)

Email Amanda Mark – Email Amanda –
with your name, receipt number and date of event

 

 

 

Lockdown walk No. 9 Saltwater Creek Boardwalk by Colleen Keating

    

Leave no footprints

Take only pictures

Constructed by the Central Coast Council to help prevent the destruction as well as protect the sensitive foreshore habitat of the Saltmarsh, the boardwalk is a perfect attraction to spot out water birds, reptiles and fish, as well as vegetation.  Families of magpies gather feeding in the grasses. Herons ducks and the elegrant egret were some of our highlights.

 

 

 

 

The boardwalk features an education loop and conservation/informative signboards that provide insight into why this is such an important ecological area.

 

Swamp Oak, Saltmarsh species including glassworts, Sporobolus, and sea purslane are some of the dominant vegetation that can be seen around the boardwalk, as well as many native plants.

 

It is an accessible boardwalk suitable for prams, strollers, wheelchairs and bicycles. 

Whether you live in the Central Coast or you are visiting/ passing through, be sure to add this recreational natural attraction to your itinerary. 

Saltwater Marsh Boardwalk is located at the eastern end of Lucinda Ave (opposite McLean Street). Carpark can be found at the Saltwater Creek Reserve.

(with acknowledgement and  thanks to Gypsy Rose and her blog WeekendNotes for her great photos and succintct story.)

 

Lockdown walk No. 6: Colours of early spring by Colleen Keating

 

Lockdown walk No. 6 Colours of early Spring

a wattle way
harbinger of spring

we take the track
to a chatter of lorikeets

they dangle like monkeys
from golden banksia

spring is coming
steeling through the twigs

silently seeping
through the sap

budding vernal green
once seen it is everywhere

 

lilac waraburra is showy
it vines over the scrub

purple trails up the trees
no wonder it is often called
happy wanderer

white star flowers sometimes
called ‘tread-softly maybe because
of its spiky leaves

and the pink wax flower
just budding open
sprinkled through the bush
fuchsias delicate little trumpets
stand out

bright red comes
with the dusky coral pea
hard to see at first
and then it turned up hiding quietly
in the brambles in the scrub

maybe wild jasmine
and wonga wonga the native climber
gives us our touch of purple in its delicte white trumpets

And the wattles three we found today

Galahs were busy too
one on a branch as decoy
and this gorgeous one
in a hollow of the old  tree

Finally at the lookout Crackneck
we watched an eagle play


on the air currents
and then down the less worn track
back to the car