Icon of Hildegard of Bingen brings my story alive once again by Colleen Keating

Icon Of Hildegard of Bingen created by Iconographer Kevin  Dilks. ( Brother to my friend Julie Thorndyke).

Thank you Kevin. It was a most beautiful gift to receive this icon . It took me back into a contemplation with Hildegard.

I played my CD “Feather on the Breath of God “as I took time to  gaze on Kevins icon, allowing myself to be lost in it.

Hildegard’s eyes  are beautiful. They are lowered in her humble way. They are  focused  on scribing her musical notes and creating poetry to sing, and  I feel those eyes are showing  her mind is singing as she notates.

The feather has the double meaning of the quill for her scribing and the reminder for us that she calls herself “The Feather on the breath of God ”

From my poem of the same name,  pgs 57-58, a young  Hildegard races in from the field, from picking herbs for Jutta to  prepare the tonics  for the sick , Hildegard exclaims,

Jutta, Jutta, she calls
it is so beautiful.
I see the Light and beyond to the heavens, 
not as in ecstasy but with my eyes wide open.

I want to express myself,
I feel so blessed.

She plucks a feather
from under her coarse, homespun cape,
and look . . .  a gift. I know there are always feathers,
but this was special, as I watched it drift,
I felt a ‘yes’ to life.
Ah, I am a feather on the breath of God.

She turns both hands in the air,
eyes to the heavens,
a twirl of gratitude,
a dance of light.

The words Hildegard is writing in Kevin’s icon are the uplifting promise for her women living and working in their Abbey at Rupertsberg.

. O vis eternitatis                                                              O power within Etenity
que omnia ordinasti in corde tuo,                                All things you hold in your heart
per Verbum tuum omnia creata sunt                           And through your word were all created
sicut voluisti,  et ipsum Verbum tuum                        according to your will.

 

And finally in my meditation with Kevin’s icon, I paused on the golden halo. Many icons use this to portrait a holy person. Several thoughts came to mind. To think Hildegard was called a saint at her death by her communities and by the local people, east and west, all along the Rhine River wherever her influence had reached in the 12th century.* and Rome rejected their request for Sainthood. Three hundred years on the Abbess of the Benedictian Community applied for her to be made a saint again and it was again  rejected by the Vatican. When the Abbey asked later, the paperwork had been lost ! And so she was lost to the world for hundreds of years . Only at the beginning of the  late 50’s  and early 60’s,  the Environmental Movement when Mother earth was beginning to be in pain from the damage done to her, did a Dominican Priest Father Matthew Fox rediscover her and had her writings translated finding her an Environmental Mystic.

Hildegard  had been forgotten for 900 years !!! and then others began to discover her music, her paintings , her poetry and bring her back to our world.

If ever there was a time for her to speak it is now. Of course the Vatican saw her being a spokesperson for so many and the German pope canonised her in 2012 not only canosied her  but made her A Doctor of the Church. To me it was too  late. However in a way, I guess it  introduces her to another layer of people in the Churches and hence increases her influence, so that is good.

Finally i traced, in my mind the Infinity symbols that are softly embedded in the halo. The Infinity Symbol (A Christian symbol of God’s eternal and infinite nature) I wonder if the fish (Ichthys symbol) was an early attempt to show this, before a Mathematician claimed it firstly in the 16th century.

*(Many Monasteries and Abbeys bought her music which encouraged their communities . By the way this is one of the ways that Rupertsberg received money so her Scriptorium was invaluable as she taught her women to dictate and scribe the many works that she sold. )


With music, we have the memory of paradise lost”- Hildegard von Bingen”.

Hildegard created over 77 unique songs. She considered music the point where heaven and earth meet. She believed harmony to be more than the combination of voices and instruments,. For her it represented the balance of body and soul, the interconnectivity of humanity with the universe. 

Hildegard composed secular music, sacred polyphony, hymns, and chants. She used music and art to express her visions; in fact, it has been said that Hildegard composed in pictures and painted with words. 

Oliver Sacks, the great neuroscientist and admirer of Hildegard, observed that humans naturally keep time to music, using hypnotic sounds to enter trance-like states of meditation. Further, music has been found to contribute to synchronicity between the two brain hemispheres, resulting in more effective whole-brain thinking.

Hildegard used music as a way to a third state of consciousness. She did not express it in this 21st  century vernacular but Hildegard knew its importance for her women, physically, mentally, emotional and spiritually. Some of her music written  for the eight breaks in the Benedictine Day  helped with breathing and well being. Severl pieces have notes that rise to high A which can give a sense of transcendence  similar to other religions like the  Sufi’s  Whirling Dervish. *

Along with sleep and dreams Hildegard viewed music as the key to opening a third state of consciousness, a trance-like state. Her firm mooring in faith, combined with openness to the metaphysical, enabled Hildegard and her contemporaries to use music as an auto-suggestive relaxation technique. This meditation was based on the belief that music provides the human organism with positive influence in the healing processes.

To think that her music was banned towards the end of her life .** In the winter of her days she inspired her women in their silence under pain of their Abbey being destroyed :

Let us find purpose in our day,

Hildegard counsels after matins

find music in the fields

in the sun’s warmth,

in glints of gold on boughs of trees.

Rejoice in the aroma of the damp earth

and viriditas.

Spring is at the node of every greening branch.

May even the wind be our song.

. . . . . . and in the silence they learn,

in Hildegard’s words,

to search out the house of their hearts. 


 

  *  Whirling Dervishes is a form of physically active meditation which originated among Sufi groups, and which is still practiced by the Sufi Dervishes in some places.

** From the poems Struggle in Exile  pg 210  and Endurance  pg 212 in Hildegard of Bingen A Poetic Journey by Colleen Keating 2019©️

 

 

Hildegard today at the Abbey and the ruins of her original Abbey at Disibodenberg


Hildegard composed secular music, sacred polyphony, hymns, and chants. She used music and art to express her visions; in fact, it has been said that Hildegard composed in pictures and painted with words. 

Oliver Sacks, the great neuroscientist and admirer of Hildegard, observed that humans naturally keep time to music, using hypnotic sounds to enter trance-like states of meditation. Further, music has been found to contribute to synchronicity between the two brain hemispheres, resulting in more effective whole-brain thinking.

 

Ruins of Disibodneberg in Germany . Hildegards first Abbey.

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Eucalypt Issue 37 2024 ed. Julie Thorndyke

 

 

Thank you to the editor Julie Thorndyke for an exquisite production of the latest Eucalypt .

I can always feel the love and care in the selection and  placement  of  the tanka on the page

which of cousre enriches each one tanka.

Your work is appreciated. 

I am proud to be included with so many fine Tanka writers and  sensitive work  in this latest issue. 

 

 

     

 the wet sand

of the ebbing tide

reflects a pink dawn

my bare feet encounter

the first touch of spring

Colleen Keating

Thrilled to see Pip Griffin and Dr Andy Hede as two of my Tanka friends included in the latest Eucalypt

 

 

 

 

 

 

Another favourite of my tanka

pink glow

behind silver grey clouds

waiting

medical reports

still to be read

Colleen Keating

 

 

New Tanka written for consideration by the Eucalypt Journal

 Tanka for consideration by Eucalypt Journal 
beach lookout
a springtime visitor
rolls and flaps about
silver glints on its flippers
keep us transfixed
a lone seagull
on a busy city street
far from the harbour
sometimes I wish I had wings
to find my way home
         
furry banksia cones
perch on gnarled branches
some follicles open
the child in me still sees
the old banksia man
an unkept park ~
neglect or rewilding
we wander amid
a bevy of birds, insects
and blossoming weeds
wet sand
of ebbing tide
reflects a pink dawn
my bare feet encounter
the first touch of spring
an empty sky 
where the blue gum stood –
returning birds
perch on a brick wall
chirping incessantly

Eucalypt: A Tanka Journal, Issue 36, 2024

The latest Tanka Journal, arrived earlier this month and includes two of my new tanka amidst the many wondeeful  tanka and tankist writers.  It is an honour to be published with so many dedicated and good poets.

Thank you to  our  editor Julie Thorndyke for her dedication to our tanka and for their   sensitive presentation .

 

And sensitively placed with the poignat tanka of Rachel Colombo

*The Madonna della Pietà, informally known as La Pietà, is a marble sculpture of Jesus and Mary at Mount Golgotha representing the “Sixth Sorrow” of the Blessed Virgin Mary by Michelangelo Buonarroti, now in Saint Peter’s Basilica, Vatican City.

 

 

 

 

 

 

 

 

 

 

And i love it is set with two of my dear friends Beverley George and Andrew Hede.

 

Eucalypt: A Tanka Journal Issue 35, 2023

Eucalypt Issue 35, 2023. has arrived . It is a beautifully presented journal thanks to the editor, Julie Thorndyke . It is a special craft to write a tanka. So much is said in 5 short lines , 31 beats. It is great to be published with the many seasoned tanka writers . It was great to see my friends Andrew Hede and Michael Thorley included.

       

a new sandbar
slows the river’s rush
towards the sea
sometimes in my life
I wonder why I hurry

Colleen Keating
️ ️️️️

first memory
my bassinette passed
over the fence
to the baby sitter –
the night full of stars

Michael Thorley
️ ️️️️

in a glass jar
on a surgeon’s bookshelf
a baby’s heart
she knew
els beside a headstone
replacing the white roses

Andrew Hede
️ ️️️️

 

 

Eucalypt Tanka Journal ed. Julie Thorndyke

Thank you to Julie Thorndyke for her excellent editoring of the Eucalypt Journal for Tanka. I always feel excited and honoured when Julie chooses one of my tanka for the publication.

Dear Colleen,

Thank you for your submission to Eucalypt issue 35.
I have pleasure in accepting the following poem

 

a new sandbar

slows the river’s rush

toward the sea

sometimes in my life

I wonder why I hurry

 

Colleen Keating

 

 

Eucalypt: A Tanka Journal Issue 34, 2023 edited by Julie Thorndyke

 

 

It is always a joy to receive the new edition of Eucalypt and especially joyful when one of my tanka is included amongst the many startling and succinct tanka . This month is no exception  receiving Issue 34 2023.  Lovingly presented
and including tanka that takes days to ponder and absorb .

 

pink glow

behind silver grey clouds

waiting

medical reports

still to be explained

Colleen Keating

 

 

 

 

 

 

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Eucalypt tanka journal, Issue 32, 2022 : update by Colleen Keating

 

Great to receive the latest Eucalypt tanka journal, Issue 32 , 2022,
find one of my tankas included – ‘flawed journey’
and to enjoy the leisure and pleasure in
dipping in and out of this enjoyable journal.
Thank you to the editor Julie Anne Thorndyke
for the wonderful presentation of our work.
I feel honoured to be included  . . .  named side by side with this
International group of Tanka writers

‘flawed journey’

eucalypt leaves
I search for the unblemished
only to realise
that beauty is in
their flawed journey

Eucalypt Tanka Journal Issue 31 ed. Julie Thorndyke


Eucalypt Tanka Journal

 Issue 31

Amongst the bills, real estate adds, junk mail, other vague advertising letters
it was like a bright star in a dark sky to find the latest edition of Eucalypt Issue 31
beautifully edited and placement done with loving care by Julie Thorndyke. I dropped everything and the afternoon wiled away with a coffee enjoying the tanka and the world came wildly alive with my mind listening, observing, all senses stirred.

Eucalypt is the first Australian journal devoted to the ancient Japanese poetry genre
called tanka and I feel so proud to be included in Eucalypt Issue 31
with all the amazing Tanka writers.

I love my ladybug tanka. It is filled with colour, climate change,
endangered animals, picnis , sharing with grandchildren and nature

a ladybug

lands on our picnic blanket

blackdots on red

my grandson exclaims

I didn’t know they were real

My ladybug tanka speaks of climate change where our bugs and beetles
and especially the colourful Christmas beetles are disappearing.
Disappearance of vegetation, change in food chain etc the cause
. and how our children and our grandchildren are being deprived
of this natural beauty.

Secondly it speaks of sharing natures moments with the grandchildren
being out in the nature of the Blue Mountains lying on a picnic rug
and getting the opportunity of sharing  something which is becoming rare.

Thank you Julie Thorndyke for your dedication to writing, poetry, and tanka.

 

Eucalypt: A Tanka Journey celebrating 30 issues by Colleen Keating

 

Exciting to receive the latest Eucalypt: A Tanka Journal in the mail.  This month celebrating 30 issues of Tanka.

(Beverley George always  acclaimed for the first 20 issues.)

Thank you to the editor, Julie Thorndyke and congratulation on her very creative and thoughtful presentation of our tanka. Proud to see my name twice and feel privileged being included in every Eucalypt since I began writing Haiku and Tanka . . . the succinct intimate Japanese form of poetry.

Julie has her own new collection of stories Divertimento: Stories by Julie Thorndyke publ. Ginninderra Press 2021,  just recently published by Ginninderra Press so this is double congratulations  to her.  Julie spoke at Society of Women Writers of NSW last meeting  in Member Bites