” I do not wish women to have power over men but over themselves.” from The Dinner party by Colleen Keating

To purchase The Dinner Party
   
One of the passionate visionary women on whose shoulders we stand today.
Learn more about Mary Wollstoncraft 1759 – 1797
who died during the birth of her daughter Mary Shelley (author of Frankenstein)
Her voice a luminous candle
in a darkness of patriarchy
where laws claimed women
the property of men
marriage their tenuous security.
This spirited her struggle
her weapon always her pen
Mary wrote: ” I do not wish women to have power over men but over themselves.”
It took 200 years for Mary to be reclaimed  with a controversial statue  erected  in her honour.
A Sculpture for Mary Wollstonecraft is a public sculpture commemorating
the 18th-century feminist writer and advocate Mary Wollstonecraft in
Newington Green, London.

The Dinner Party by Colleen Keating is available now from Ginninderra Press

ginninderrapress.com.au /books  and scroll down to The Dinner Party

  A POETIC CELEBRATION 

      OF WOMEN IN HISTORY

                        WHO DEFIED SILENCE

A poetic CELEBRATION of THE PASSION AND SPIRIT OF WOMEN 

    ON WHOSE SHOULDERS WE STAND

This  DINNER PARTY IS NOT JUST A GATHERING, A CELEBRATION

IT IS REWRITING HISORY. 

Recorded history abandoned women and they abandoned history leaving it motherless and unbothered

This is part of the long journey to reclaim the feminine in our worldly story. Then and only then might we turn this 21st  century around 

‘It was the prevailing attitude in the 1960s that women had no history. There were no women’s studies, nothing.’ – Judy Chicago, creator of the iconic art installation The Dinner Party, 2017
The Dinner Party by the talented poet Colleen Keating brings to light, through beautiful lyrical poetry, what for centuries has been ignored: the power and strength of women. Very little has been made known about the lives of influential women of the past, as women’s lived experience has been suppressed, even erased from history. In this collection, the poet resuscitates the experience of women from prehistory to women’s twentieth-century revolution. Her poetry traces the lives of women who demonstrated their influence, in every field including philosophy, medicine, writing, art, astronomy, suffragists and justice warriors who fought for recognition. Women who gave their lives, suffered, broke barriers, knocked down walls, smashed glass ceilings, pried open doors, who defied patriarchy in some way for all of us. Still today as women are written into history, the struggle for our reckoning towards equality and respect continues. A must-read book that honours women; women who would not be silent.’
Dr Beatriz Copello
‘With impeccable research and deep empathy, Colleen Keating continues her powerful poetic contribution to feminist literature with the celebration of thirty-nine of the more than a thousand women forgotten, marginalised or written out of Western history. A remarkable and beautifully imagined work.’  – Pip Griffin
978 1 76109 530 6, 144pp

Versions

Paperback

9781761095306
$27.50

Vale John Egan poet, mentor and friend by Colleen Keating

9th July 1949 – 14th April 2023  Vale

Brenda Eldridge (Ginninderra Press)  wrote of John:

We were deeply shocked and saddened to hear the news that John Egan died on Friday 14 April 2023.

John was a stalwart of the Sydney poetry scene. He was a member of several poetry groups and during the Covid lockdowns he felt keenly the loss of being able to meet with fellow poets. He enjoyed their company and was inspired by their energy and enthusiasm.

He was a frequent contributor to The Mozzie, tamba, The Crow and other poetry journals.

John worked hard encouraging other poets to write and to get published. This is how we knew him. He came to Ginninderra Press just over ten years ago and became one of our most prolific poets.

Stephen published seven full-length poetry collections by John, the last of which (Drifting from the Bright) has not yet been officially released. As editor of our two chapbook series – Pocket Poets and Picaro Poets – I worked with John a great deal. I was astonished when I looked up our records and found that we had published over eighty chapbooks by him!

Included in that incredible body of work are ten chapbook anthologies he edited for the groups Poetry Alive and Harbourside Poets. He collaborated with other poets in seven chapbook collections – including three with me. I am proud to say that John chose twenty-five of my paintings or photographs for the covers of his books. That was something I hadn’t even dreamed of and I am still somewhat bedazzled by his support of my work.

Supporting others was one of the most admirable things about John. From those small joint anthologies, several poets have gone on to have chapbooks and full-length collections of their own. All it takes sometimes is someone to believe in you.

Through the hundreds of emails we exchanged over the years, John became a dear friend and confidant. All our lives are the richer for having known him and he will be sorely missed.

Thank you Brenda  for these words in honour of John.

My last chat with John  was on our Wednesday Poetry evening, the week before he got the flu. He was excited as he shuffled his pieces of paper from the afternoon group saying  “You know I have got 3 poems out of this afternoon.”   Three poems !  Isn’t that amazing a week before you die, you are excited about more poetry flowing.  I can say happily John died ‘with his boots on’ as the saying goes . Sadly I wrote on Saturday to tell him how he was missed at Decima’s Launch and to tell him how proud I was being on the same page of the Ginninderra Web site. with my new book.  Sadly he never read that email. 

Light

The lighthouse throws warning beams,
sweeps the sea with its flashes
revolving like a constant planet,
pulses from a distant star
in galaxies of shipwreck dark.

Here is danger and death.
Keep well clear, keep safely on
the rolling sea where deep water
smooths your keel and you can flow
in the gentle arms of ocean.

I’m built on rock, I’m built
on the past. I do not move
as your ship moves in sheer innocence
that the sea will always protect
and nourish you. It deceives us all.

I’m here. You can rely on me.
I’ll guide you away
from ship-tearing reefs and rocks,
or clench my fingers of light
and gather you between

headlands, into river mouths,
to safe harbour here, the comfort
of quiet water that laps your hull
like a lullaby. I promise you, mariner,
captain, have faith, for you, I am the light.

 

Poetry from The Dinner Party in Women’s Ink by Colleen Keating

 

Society of Women Writers put out a call for writings on Women & War Cries. I quickly realised several of the women in my up and coming new book The Dinner Party would fit that theme and hence I am proud to have a centre fold  of poetry  including two poems Artemisia Gentileschi  1593-1652 and Boadicea 61 BCE. It was special to have the first notable promotion for my new book. ARTEMISIA GENTIILESCHI begins:

In her hands
the brush swept the canvas
azure blue, old gold, crimmson red . . .

Poems from The Dinner Party: by Colleen Keating. Her new book to be published in Autumn 2023 by Ginninderra Press (Herstory: A poetic response to a universal dinner party restoring women to history.

        

The Dinner Party A poetic response by Colleen Keating

Exciting news . . I am thrilled and excited that my new book The Dinner Party  A poetic response is finally up on Ginninderra Press website and can be pre-ordered . . .to be released on May 1st . A long journey to birth this new book but finally I have the first copy in my hand. Grateful to so many people and thanks to Stephen Matthews OAM and Ginninderra Press and to Michael and many poet friends.

 

The Dinner Party by the talented poet Colleen Keating brings to light, through beautiful lyrical poetry, what for centuries has been ignored: the power and strength of women. Very little has been made known about the lives of influential women of the past, as women’s lived experience has been suppressed, even erased from history. In this collection, the poet resuscitates the experience of women from prehistory to women’s twentieth-century revolution. Her poetry traces the lives of women who demonstrated their influence, in every field including philosophy, medicine, writing, art, astronomy, suffragists and justice warriors who fought for recognition. Women who gave their lives, suffered, broke barriers, knocked down walls, smashed glass ceilings, pried open doors, who defied patriarchy in some way for all of us. Still today as women are written into history, the struggle for our reckoning towards equality and respect continues. A must-read book that honours women; women who would not be silent.’

– Dr Beatriz Copello

‘With impeccable research and deep empathy, Colleen Keating continues her powerful poetic contribution to feminist literature with the celebration of thirty-nine of the more than a thousand women forgotten, marginalised or written out of Western history. A remarkable and beautifully imagined work.’

– Pip Griffin

Portal to another world by Colleen Keating

 

Portal

a narrow passage
between two ironbarks

into an earthy world
of closed off skies

mossy sandstone caverns
moist  soft tracks

each step cushioned 
by sweet smelling

leaf mulch   so absorbing
i feel I’m hardly here

this subtle cut 
into another reality

like crossing over 
to a liminal world

with life’s great tumult 
falling away 

as bark falls from trees 
seduces        slowly

my restlessness 
disesolving 

Colleen Keating

 

 

Into the Living Light, composed by Anne Boyd, with thanks to Hildegard by Colleen Keating

 

O fleeting soul, be strong.
Clothe yourself in the armour of light.
You are surrounded
With the embrace of Divine mysteries.

It is affirming when I hear Hildegard of Bingen, a Poetic Journey, my book published a few years back has an effect on the reader. Because my story is read mostly in USA with book groups and retreats, I love hearing of experience from a distance but when it is from home and from a friend that it has been inspiring for her through grief and lost and deep sadness  into  new creative musical writing,  I feel very affirmed and give thanks to Hildegrad who is with us today in 2023 to lead us in  this broken world.

Thank you  professor Anne Boyd. I feel very honoured to be included in your creation and so happy you are being praised as one  of the top women composers at this time.  And congratulations being on the new CD of music Women of Note Vol 5. published this month March 2023 for International Womens’ Day

Short Programme Note

Into the Living Light

For me, composing is deep listening, seeking a presence beyond the Self, an activity akin to prayer. Grieving the recent loss of two family members, one of whom was my older sister Helen, who died on Christmas Day, I discovered the loss of a sibling leaves a strangely hollow place in one’s sense of being. My very special friend David Iverach was similarly affected with passing of his elder brother Don a few days later.

Seeking comfort and meaning, I found myself drawn to the vividly colourful imagery in the verse novel by Sydney writer Colleen Keating Hildegard of Bingen. One verse stood out in the Section she titled ‘Unearthing Heaven’:

O fleeting soul, be strong.

Clothe yourself in the armour of light.

You are surrounded

With the embrace of Divine mysteries.

I had been looking forward to composing a work for flute, viola and harp and in the context of the grieving process one of Hildegard’s antiphons O rubor sanguinis inspired by the martyrdom of St Ursula floated into my mind.

The image of Light so important to Hildegard’s sense of the Divine presence, reaches across many spiritual beliefs. I sometimes think of Australia as the land of living light.My sister, to whom the vibrant colours of Nature were soul food,believed her onward journey to be ‘to a place beyond the stars’; Don had no doubt that his resting place would by with his wife in the loving arms of Jesus. Light is central to and connects both their personal beliefs. This music, resting upon inspiration from Hildegard, reaching across the centuries, is a kind of prayer to accompany them both into eternity.

Vale Helen and Don, both so loved by your families and friends in this life, may you now rest in peace.

Anne E. Boyd

Sydney

20.02.23

Anne Boyd leading a walk in the Olive Pink Botanic Garden
and Anne and I at the launch of Olive Pink : her radical & idealistic life.
The evening before Anne Boyd’s Opera of Olive Pink set in the garden.

AUSTRALIAN DEBUSSY TRIO

The sumptuous combination of flute, viola and harp unites three soloists as they deliver a thoughtfully curated program. The newly established Australian Debussy Trio has crafted an illuminating blend of tranquil dreams, pastoral scenes and deep, introspective music for this unique instrumental combination. Imbued with flickers of light, Debussy’s second sonata is told in a fragrant language of ambiguity and fleeting suggestion. In a masterful display of timbral manipulation, Japanese composer Tōru Takemitsu pays homage to Debussy with his own trio “And then I knew ’twas Wind” – a musical depiction of the human subconscious played out across interconnected musical episodes. Amongst the intriguing lineup of works, the programme features two Australian works, by Ross Edwards and Anne Boyd, written especially for the trio. This thoughtful programme will engross audiences from start to finish.

ARNOLD BAX
Elegiac Trio
TORU TAKEMITSU
And then I knew ’twas Wind
ROSS EDWARDS
Three Mystic Dances
JEAN-PHILIPPE RAMEAU
Pieces de clavecin en concerts No. 5
ANNE BOYD
Into the Living Light
CLAUDE DEBUSSY
Sonata for flute, viola and harp, L.137

Granger, Wannan and Henderson impressed with some spectacular playing, both skilled technically and emotionally poignant.

Limelight Magazine

 

EMILY GRANGER

Harp

See profile

American-born, Australian-based Emily Granger effortlessly straddles the worlds of classical, popular, and art music – including glittering appearances with Yo-Yo Ma, Sarah Blasko, and Renée Fleming. Emily’s considerable talent finds her equally at home in intimate chamber recitals and thrilling performances of daring new works. Emily has performed recitals from Carnegie Hall to the Kennedy Center and has appeared with the Chicago, Sydney, and Tasmanian Symphony Orchestras. Her debut solo album, In Transit (AVIE Records), was Featured Album on ABC Classic and praised by BBC Music Magazine as “beautiful” and Limelight Magazine as “an impressive debut”.

JAMES WANNAN

Viola

See profile

Violist James Wannan is a founder of the Australia Piano Quartet (APQ), Co-Artistic Director of the Ensemble in Residence at the University of Technology Sydney, a member of Southern Cross Soloists and an Artistic Associate of Sydney Chamber Opera. He teaches chamber music and viola at the Sydney Conservatorium’s Rising Star program and has been a guest teacher at the Australian National Academy of Music. He explores his passion for music from ancient to contemporary on a number of instruments. James enjoys exploring the possibilities of other instruments including violin, oud and viola d’amore. He has commissioned many new works, including a concerto by Jack Symonds that was premiered at the Bendigo Festival of Experimental Music.

JONATHAN HENDERSON

Flute

See profile

Flutist Jonathan Henderson trained with Europe’s leading flute professors and has carved out a multifaceted performance career spanning from Australia to the Nordic countries. Jonathan was appointed Principal Flute of the Estonian National Opera Orchestra at age twenty-four, whilst still a student at the Hochschule für Musik Freiburg. He has performed with the Australian Chamber Orchestra, Queensland Symphony Orchestra, Helsinki Philharmonic Orchestra, Nordic Symphony Orchestra and MDR Leipzig Radio Symphony Orchestra under the direction of conductors such as Sir Mark Elder, Neeme Järvi, Paavo Järvi, Richard Tognetti, Klaus Mäkelä and Leif Segerstam.

Blue Heron Review, so excited to be included in #16 Spring 2023 by Colleen Keating

 

BLUE HERON REVIEW

“An awake heart is like a sky that pours light.” ― Hafiz

Dear Colleen,

Thank you so much for your wonderful submission to Blue Heron Review!  I am very pleased to accept your beautiful poem, “Winter Days,” for our upcoming Spring 2023 issue on the theme of SANCTUARIES AND PLACES OF PEACE, BHR #16.

 

Our next issue is due to be published online in late spring (approx. mid-May 2023).  I will send a link to the issue to all contributors when it is released.

Congratulations again, and thank you for being a Blue Heron poet!

With kind regards,

Cristina M. R. Norcross, Founding Editor

Blue Heron Review

www.blueheronreview.com

See More from Colleen Keating

Cristina M. R. Norcross, Editor

Blue Heron Review

www.blueheronreview.com

Windows for Miracles (Türkiye and Syria) by Colleen Keating

 windows for miracles

After a baby was rescued  from the rubble 150 hours
after the  Türkiye and Syria earthquake 

windows for miracles
open hands dig
exposed in corruption and winter freeze
brute force against crushed
walls of concrete 

windows for miracles
rimy pictures extort tears   
tiny pockets of air save
and in renascence we all 
breathe humanity’s ache

windows for miracles
closed hard as steel shutters
trapped against meaning  
we scramble under rubble of news
grass and birds stone-walled

Colleen Keating