Poetica Christi Press 2025 Highly Commended

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13 Alexandra Crt, Woori Yallock, 3139. website : www.poeticachristi.org.au   

email:poetica@iprimus.com.au

 

Dear Colleen,                                 7th of June 2025

I’m delighted to let you know that your poem

Reflection

was awarded Highly Commended by our judge Paul Grover for our 2025 Annual Poetry Competition – Life’s Tapestry.

The list of poems selected by the judge, together with his report, will appear on our website later this month.

When we begin publishing the anthology we’ll keep you informed of its progress. 

Once again, congratulations and best wishes.

Janette Fernando

Managing Editor

Poetica Christi Press

 

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13 Alexandra Crt, Woori Yallock, 3139. website : www.poeticachristi.org.au   

email:poetica@iprimus.com.au

 

Hello again Colleen,

                                 I’m pleased to let you know that your poem Park bench was selected by our judge Paul Grover to be included in our anthology – Life’s Tapestry. The list of poems selected by the judge, together with his report, will appear on our website later this month. When we begin publishing the anthology we’ll keep you informed of its progress.

 

Congratulations and best wishes,

 

Janette Fernando

Managing Editor

Poetica Christi Press

Winter walk by Colleen Keating


I write as a mother, wife, woman, Australian,
Christo-Catholic, Zen Taoist, seeker of beauty,
worker for peace, teacher, idealist, beachcomber
and curious wanderer.

My winter walk today was extra poignant
as I face an operation tomorrow and i have a sense of vulnerability
going through a general anaesethic and the risks involved at my age.

I especially enjoyed the crunch of the autumn leaves under foot
the crispy crunch of the maples
the sleeky softer crinch of the elms
and then  silence underfoot once in the bush
where footfall is absorbed by soft mulshy leaves
as if I am not there
making it easier to disappear into the environment.

I found the beauty of the light overwhelmingly stunning,
the tickling sound of the creek,
the birdsong and scratch of the bush turkey.


I observed and marvelled at the beauty of nature around me.

I especially loved the tiny toadstools growing out of the mossy trunk
and sighting young orchids growing from the tree trunk.

 

 
And I am very gratiful that I could walk into the bush
and that I have my special pocket of bush for escape.

 

 

 

 

I Choose Joy but find my self weeping for our inhumanity by Colleen Keating

The poet Lucille Clifton’s says: 

“I choose joy because I am capable of it, and there are those who are not.” 

Life is challenging.

Many of us couldn’t wait to see the end of 2024 

and I like others were longing for a new start.

Yet on New Years Day  I spent time with my diary and was able to write

some memory to be grateful for, in every month.

Sometimes I think we forget the gifts and blessings and graces that come our way.

Of course  for our future, there are deep concerns.
Our environment, forests, trees, rivers, oceans, desert, lakes, all are suffering:
fresh air, clean drinking water, good soil and seed are essential for life
to continue on the earth and they are all at risk.
Our animals, birds, bees, Christmas beetles and many other species are threatened. As I suggest in my recent haiku:

billabong
song of frogs
gone silent

CK

my garden
beetles, bees and bandicoots
missing

CK

And yes, the grandchildren growing up so excitedly to face their world  gives me deep joy,  

but I realise the warring world that they will be contending with is  struggling to find a way to peace. 

There are so many positive signs of people claiming peace but the petro- war and weapons machine is powerful.

Which is why we can’t give up or give in to despair.

We can feel it, but we can’t let it paralyse us.

 I also think often of Gandhi’s words: 

“Anything you do will be insignificant, but it is very important that you do it.”  

 

And, while I’m on a roll quoting, Marcel Proust says: 

“The purpose of the artist is to draw back the veil that leaves us indifferent before the universe.” 

There is no room for indifference anymore  Indifference is complicity in allowing inhumanity and if one person is treated inhumanely we are all in trouble.

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The Cage of Paralysis: We cannot afford to be complicit

I am called  

you are called

we are called

to be  witness

for the people of Gaza and Ukraine

but how to find the words to write.?

Any words mouthed,  fumble, crack in air

like pottery cracks in the opened kiln

how sharp the splinters of gathered words

* * * *

when i  realised  I was in anguish 

I cried for me, I cried for all of us.

Now I cry for our inhumanity 

I jolt myself many times   . . .this is self pity  

You are not  hungry

You are not in pain

you have all the medications you need

you are not living in fear

You have not lost family

Your house is safe and warm

and watertight.

When the next generation asks what action did you take

to stop the atrocities to which you  daily bear witness 

I can only be silent

and humble with  the helplessness I feel

whispering  I was with them . They were not alone.

I wish they could know they are not alone and how much we care .  

Our pain is the powerlessness that we live

as if in our own cage of paralysis

 

 

 

Eucalypt: Issue 38 2025 ed Julie Anne Thorndyke

 

 

 

Thank you to the editor Julie  Anne Thorndyke for an exquisite production of the latest Eucalypt  Issue 38.

I can always feel the love and care in the selection and  placement  of  the tanka on the page

which of cousre enriches each one tanka.

Your work is appreciated. 

I am proud to be included with so many fine Tanka writers and  sensitive work  in this latest issue. 

Illustrator: Pem Sarti.

It was so special to be sharing the page with my dear friend Beverley George with our similiar sentiment .

 

a red dragonfly

rests on a white lotus

for a brief moment

time stands still 

in a maelstrom world

Colleen Keating

for an hour

the eastern water dragon

rests beside me . . .

innate trust

and companionship

Beverley George

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It was exciting to see a new tanka from Pip Griffin written after her recent journey to Canberra where she enjoyed the new Installation by Lindy Lee

Lee’s Ouroboros * –

coiled apertures

dance us into light

colour us with rainbows

shower us in stars

Pip Giffin

*Lindy Lee: Ouroboros, National Gallery of  Australia, Canberra.